hands,
and every evening,
I dropped down to the stones, my head sparking
on impact.
The thick, black oil of nighttime dreams
not blood
spurted from my forehead
and spread around me like a pool,
like a lake rising
against a single shore â
the bone of my brow.
Everything moved far from me,
like the heart, before death.
Everything was closer to me
than a retina wounded by light.
I was on the edge of a black lake
with a single shore
(the bone of my brow)
and I could see through it, like
through a magnifying glass.
III.
I looked through the black glass
of nighttime dreams,
deep into the earth,
where the sun falls in flicks,
and lindens over their shadows,
my hands fell beside smooth stones,
half in darkness, half in light.
My eyelids fell battered
by ancient skies never seen before.
(Outside, a gaze broke
and fell, floating alone.)
The light fell in round spaces
unraveled into shakes and waves,
it hit the edges and unheard
blacker and blacker hummed the sound.
IV.
But corpses fill the depths of the earth
and there is no room, no room, no room
for questions.
Like roots, dead skeletons
twist the quick of the earth, and wring
the lava out, until it loses its mind.
Here there is never room, no room, no room,
even time must enter time
like facing mirrors.
Even memories must enter memories,
and my childhood face
has ten eyes squeezed together,
ready to pile all their images together
in a deadly mound.
I was dizzy, I looked into the quick of the earth â
from every age
hung a body
less and less filled out,
less material,
like a worm cut into bait
to hook the years.
Here there is never room, no room, no room.
The black lens of nighttime dreams
will not reveal even one fissure
where I could lay down
and put a question to rest.
The quick of the earth is full
of homes of corpses,
and there is no room, no room, no room,
for questions.
There are ten skulls in a skull.
There are ten shanks in a shank.
There are ten sockets in an eye socket.
Everything ramifies downward,
an uninterrupted root of bone
that wrings out of itself
black death, black lava,
pits and cores, lost time.
V.
I was trying to string the light
when the bow suddenly straightened
and hurled me upward.
And I found myself slowly at first, then
faster
and then
flashing like thought alone
can congeal into constellations of words â
yes, I found myself sliding
its long, shifting spears,
their butts stuck in the sun,
their points eternally running
toward I-donât-know-what, toward I-donât-know-when.
And as I flashed,
as earth-free as the inside of a cloud,
it seemed I was and was not
toward the past, from the future,
toward what was from what will be,
a number going down,
five,
four,
three,
from ten thousand, maybe thousands of thousands.
VI.
Thatâs how I caught up to them, and passed
the spikes of light,
ancient images torn from the earth.
Like an iron plow that turns over
and throws aside
fat clods of earth,
light cuts through chaos and fills it
with faces, images, seeds
drawn from the blue husk of the globe
it plowed in time and
left somewhere behind.
So I found myself among images
playing among spokes of light,
as thick as sunrise over the ocean
when fireflies are born.
They slide and swarm into a mane
of bitter, tumbling suns,
then they dissipate and unravel
into a whirlpool of cold colors,
passionate but scared,
lucid but innocent,
recombined into meaning.
Laugh, eye: shatter your horizon
and observe and encapture, forever.
Let the cascade of light flood
the famished cave of my soul.
O feet, quiet steps on a threshold.
Adolescence â play it back to me again.
I climb down my rediscovered bodies
like a ladder,
even memories have bodies, even time has spores.
And look, my forgotten friends and first love
and the seventh year of my life rediscovered,
my first yes and first no,
first surprise,
and the air of that