slow
almost a lifetime of flame
rises
to light the pyres, the awaited
foretold, the savior,
the lighting of the pyres.
The Fifth Elegy
The temptation of the real
I was never angry with apples
for being apples, with leaves for being leaves,
with shadow for being shadow, with birds for being birds.
But apples, leaves, shadows, birds,
all of a sudden, were angry with me.
See me taken before the court of leaves,
the court of shadows, apples, birds,
round courts, flying courts,
courts cool and thin.
See me condemned for ignorance,
boredom, disquiet,
stasis.
Sentences written in the language of seeds.
Indictments sealed
with the innards of birds,
cool, ashen atonements, chosen for me.
I rise, head uncovered,
and I try to understand what I deserve
for stupidity . . .
and I cannot, I cannot understand
anything,
and this state itself
grows angry with me
and condemns me, in a way impossible to understand,
to perpetual waiting,
to harmonize meanings with themselves
until they take the form of apples, leaves,
shadows,
birds.
The Eleventh Elegy
Entry to the Labors of spring
I.
Heart larger than the body,
leaping from all sides at once
and collapsing from all sides,
back over the body
like a shower of lava,
you, content larger than form, hereâs
self-knowledge, hereâs
why suffering matter takes birth from itself:
so it can die.
Only he dies who knows himself,
only he is born who is
his own witness.
I need to run, I told myself,
but to do that first I should
pivot my soul
toward my unmoving ancestors,
who have withdrawn into the towers of their bones,
like marrow,
unmoved
like all things taken to their end.
I can run, because they are inside me.
I will run, because only what is
unmoved in itself
can move,
only he who is alone in himself
has company and knows the unrevealed heart
will collapse more powerfully toward its own
center
or,
shattered into planets, will surrender
to fauna and flora,
or
will lie beneath the pyramids,
like the hidden stomach of a strange breast.
II.
Everything is simple, so simple that
it becomes incomprehensible.
Everything is so close, so
close, that
it slips behind the eyes
and is seen no more.
Everything is so perfect
in spring,
that only by surrounding it with myself
can I mark it,
like expanding grass marked
by words for the speaking mouth,
marked by the mouth of the heart,
by the heart to its seed,
to that unmoved in itself, identical
to the pit of the earth
that extends from itself
infinite gravitational arms
and draws everything into itself and suddenly
into an embrace so powerful
that through its arms leaps movement.
III.
I will run, therefore, in every direction
at once,
I will run after my own heart,
like a chariot
simultaneously pulled in every direction
by whipped horses.
IV.
I will run until advance, until rush
itself passes me
and pulls further ahead of me
like the fruitâs skin from its seed,
until running
will run even within itself, and be still.
And I will collapse
over it like a young man
onto his lover.
V.
And once I have let running
pass me by,
once
movement within itself is still
like stone, or
better, like mercury
behind the glass
of a mirror,
I will see inside all things,
I will embrace them with myself,
all things at once,
and they
will throw me back, once
all that was thing in me
has been changed, over time, into things.
VI.
See me
remaining what I am,
with flags of loneliness, with shields of chill,
back toward myself I run,
pulling myself from everywhere,
pulling myself from myself before,
behind myself, on my right and
my left, above and
underneath myself, departing from
everywhere and giving to
everywhere signs that will bring me to mind:
to the sky â stars,
the earth â air,
shadows â branches and budding leaves.
VII.
. . . odd body, asymmetrical,
surprised by itself
in the presence of spheres,
surprised to stand