misfortune. This terrible thing.â
Ricciardi had the impression that the woman was playing a part. Her exaggerated gestures, the artificial voice, the way sheâd crossed the center of the room, as stately as an ocean liner sailing into port: everything about her seemed theatrical, designed to impress and intimidate.
â
Buongiorno
, Signora. Your real name, if you please?â
He took it for granted that the name sheâd given Maione was a professional pseudonym, and he wanted to invite the woman to be more forthcoming. The self-proclaimed Yvonne took his point. She fluttered her eyelashes, heaved a sigh, and focused her attention on Ricciardi.
âLidia Fiorino, at your service. But everyone knows me as Madame Yvonne; I doubt anyone will be able to give you any information about me if you use my maiden name.â
Ricciardi hadnât stopped staring at the woman.
âI like to know the name of the people I met, thatâs all. The legal name. Now, tell us exactly what happened.â
Madame Yvonne shot a guick glance over her shoulder, toward the group of people by the piano. In the half-light, it was just possible to glimpse women in dressing gowns and one could hear muffled sobs.
âOne of my girls . . . my dearest girl, she was like a daughter to me . . . the prettiest one, the sweetest one . . .â
She loudly blew her nose into a handkerchief pulled from the sleeve of her dress. Ricciardi waited, Maione sighed and raised his eyes to the ceiling.
âOne of my girls is . . . Virgin Mary, Mother of God, I canât bring myself to believe it, right here, in my own home . . . where love, peace, and pleasure reign supreme . . .â
Ricciardi shot Maione a meaningful glance, and the brigadier stepped in.
âSignoâ, please. We know perfectly well where we are and what goes on here. In other words, thereâs no need to explain. Please, just do us a favor and of tell us, in short, what happened.â
Yvonne dried her tears and assumed a vaguely resentful tone.
âBrigadieâ, you must understand what this means for me, for all of us. Itâs a tragedy. Viper is dead.â
It was the second time heâd heard that word uttered; Ricciardi decided it was time to clear things up.
âHer real name, please. And letâs start from the beginning: who found her? When? And where is she now? Has anyone moved anything?â
The woman turned her head toward the group at the far end of the room and gestured; then she turned back to Ricciardi.
âViper is the name by which, throughout Naples, the best, the most beautiful of all the working girls, as we like to say, was known. The name is Rosaria, Maria Rosaria Cennamo. But she was Viper to everyone. No oneâs moved her, sheâs in the bedroom, the bedroom where . . . well, where she worked.â
The other question went unanswered, until finally Ricciardi made up his mind to ask it again.
âI asked: who found her?â
Madame hesitated, then she turned to the girls and called out:
âLily, come over here. Donât pretend you donât understand me.â
A young woman broke away from the group, reluctantly, and came toward them. Her halting gait was quite different from Yvonneâs majestic stride, and the older woman introduced her:
âThis is Lily. Bianca Palumbo, to be exact: our clients, you know, like names with an exotic flavor. Sheâs the one who found Viper.â
The girl was fair-haired. Her features were soft and rounded, her face marked by horror and fright. She was clutching the edges of a flowered nightgown to her chest, which was quite prominent, disproportionately so, given her height. Cesarano let a faint whistle escape him, which earned him a furious glare from Maione.
âNow then, Signorina: youâre the one who found the corpse?â
Lily looked at Madame, almost as if she were asking permission to answer;
R. K. Ryals, Melanie Bruce