the woman nodded her head slightly, and the girl turned to Ricciardi.
âYes. I went past her door, Iâd . . . I had finished, and I was going to the balcony. And Viperâs door was open, just a little, it was, whatâs the word . . . ajar. And she was on the bed, and I noticed her leg, dangling over the side . . .â
She reached a trembling hand up to her face, as if to chase the image away. Her voice, deep and mature, clashed with her evident youth and her delicate features.
Ricciardi asked:
âAnd you, what did you do?â
The young woman hesitated, glanced again in her madamâs direction, then decided to answer.
âI stuck my head out the door and called Madame.â
Maione broke in:
âAnd how did you know that CennamoâI mean, Viperâwas dead?â
Lily shrugged.
âThere was a pillow on her face. And she wasnât moving.â
What Ricciardi sensed in the girlâs voice, and even more in her reactions, wasnât grief, only fright. He decided to get confirmation of that impression.
âWere the two of you friends? Did you get along with Viper?â
This time it was Madame Yvonne who replied:
âOf course! Weâre like a big happy family here, Commissaâ. The girls are all like sisters, they spend all their time together, and they love one another, both the girls who come here to work for a couple of weeks and then go away and the ones whoâre here permanently. And Lily, just like Viper, is here to stay, sheâs not one of the girls on rotation, and so theyâre . . . they were even closer. Isnât that true? Answer me!â
Suddenly called upon, Lily stared at her employer and slowly nodded. Ricciardiâs first impression remained unshaken: the relationship between Lily and the late Viper would need closer examination.
âAnd then you, Madame, sent Marietta to get us. All right. And who was here, besides you and the girls I see over there?â
Yvonne spread her arms wide.
âCommissaâ, of course, there were the clients. Amedeo over there, our piano player, was entertaining them while they waited, and the waiter was serving drinks. The usual afternoon activity.â
âSo these customers, what happened to them?â
The woman shook her head.
âIâm sure you can imagine it for yourself: the minute they heard Lily crying and screaming, they vanished. I certainly donât have the authority to stop them and tell them to wait for you all, do I?â
Ricciardi nodded.
âCertainly not. But you must remember at least your regular customers, and you can tell us their names, I believe. Just so we can check them out.â
Yvonne exchanged a look with Lily that didnât escape the commissarioâs notice.
âOf course. Though I might have overlooked a few, in all the chaos. This kind of terrible accident, it doesnât happen every day.â
âNo, luckily, this sort of thing doesnât happen every day. Signorina, earlier you said: I had finished, and I was going to the balcony. What did you mean?â
Lily answered:
âDo you see that passageway up there, with the railing? We call that the balcony. When weâre done working with a customer, after weâve washed up and straightened up the room, then we go up there, where they can see us, that way the customers here in the waiting room know that weâre free and that they can pick us. The one they like best.â
Camarda sighed, earning himself an elbow in the ribs from Cesarano. Ricciardi decided to overlook it.
âAll right, I understand. I may need to ask you a few more things later. Now, if you donât mind, take us to Viperâs room.â
III
W hat is this breeze on my face?
What are these scents, the flowers and the sea?
What does springtime want from me, why doesnât it go back where it came from?
Iâm a dead man, donât you understand that,