last time,
there they cried with you a last time,
now the shelter is only a hailstone
that fell there,
for already theyâve folded away the voices,
already theyâve put away the light,
now that this one
whom we told
nothing
goes away saying I hear your words,
I will seek these things,
I will know by these signs.
Surreptitious Kissing
I want to say that
forgiveness keeps on
dividing, that hope
gives issue to hope,
and more, but of course I
am saying what is
said when in this dark
hallway one encounters
you, and paws and
assaults youâlove
affairs, fast liesâand you
say it back and we
blunder deeper, as would
any pair of loosed
marionettes, any couple
of cadavers cut lately
from the scaffold,
in the secluded hallways
of whatever is
holding us up now.
From a Berkeley Notebook
One changes so much
from moment to moment
that when one hugs
oneself against the chill
air at the inception
of spring, at night,
knees drawn to chin,
he finds himself in the arms
of a total stranger,
the arms of one he might move
away from on the dark playground.
Also, it breaks the heart
that the sign revolving like
a flame above the gas
station remembers the price
of gas, but forgets entirely
this face it has been
looking at all day.
And so the heart is exhausted
that even in the face
of the dismal facts we wait
for the loves of the past
to come walking from the fire,
the tree, the stone, tangible
and unchanged and repentant
but what can you do.
Half the time I think
about my wife and child,
the other half I think how
to become a citizen
with an apartment, and sex
too is quite on my mind,
though it seems the women
have no time for you here,
for which in my larger, more
mature moments I canât blame them.
These are the absolute
pastures I am led to:
I am in Berkeley, California,
trapped inside my body,
I am the secret my body
is going to keep forever,
as if its secret were
merely silence. It lies
between two mistakes
of the earth,
the San Andreas
and Hayward faults,
and at night from
the hill above the stadium
where I sleep,
I can see the yellow
aurora of Telegraph
Avenue uplifted
by the holocaust.
My sleeping
bag has little
cowboys lassoing bulls
embroidered all over
its pastel inner
lining, the pines are tall
and straight, converging
in a sort of roof
above me, itâs nice,
oh loves, oh loves, why
arenât you here? Morgan,
the pyjamas are so
lonesome without
the orangutansâI write
and write, and transcend
nothing, escape
nothing, nothing
is truly born from me,
yet magically itâs better
than nothingâI know
you must be quite
changed by now, but you
are just the same, too,
like those stars that keep
shining for a long time after
they go outâbut itâs just a light
they touch us with this
evening amid the fine
rain like mist, among the pines.
On the Olympic Peninsula
Stranger, to one like you,
here only the old
people feel like talkingâ
but abruptly, as if already in the midst
of talk, as if they sensed
with you a kinship in closeness
to endingsâand you arenât kind
with them. Stranger,
here the sea doesnât obliterate,
but just lies there carved up
into bays and inlets, indolent
or waiting. In the townâs one
hip bar the lesbians lean
into sinister embraces, dancing
together and speaking just softly
enough that you canât hear. Your girl
is gone and you are here
because you think maybe they
have taken her from you
into this establishment where the men
stink like murdered sea animals;
they have flying beards, black
mouths they spill the beer
into over their laughter
so that you think of someone urinating on coals.
Sometimes you unexpectedly taste
the inside of your own mouth, choking
as you kiss this bitter foreigner,
and you feel yourself forgetting, even as you remember,
that youâve gone strange and everybody
else is happy and