just having
good clean fun in a place where the ocean
is large and cares nothing for men,
that you are an image of blood
graven amid peace and wine,
a strange one,
claustrophobic and heart-stopped among
garden parks through which boys
jog perspiring in their red basketball
shorts and in which toddlers
in blue parkas on toy horses rock themselves,
already stupefied, toward oblivion.
A Woman
Thereâs nobody here
but you, sitting under
the window at the corner
table as if waiting
for somebody to speak,
over your left shoulder the moon,
behind your head a vagina,
in pencil, emblazoned
above a telephone number.
For two hours youâve been
looking across the street,
quite hard, at the grand store,
the Shopperâs Holiday felled
across the sunset.
It grows dark in this climate
swiftly: the night
is as sudden and vacuous
as the paper sack the attendant
balloons open with a shake
of his scarred wrist,
and in the orange parking
lotâs blaze of sulphur
arc lamps, each fist
of tissue paper is distinct,
all cellophane edged
with a fiery light that seems
the white heat of permanence
and worth; of reality;
at this hour, and in this
climate where how swiftly
the dark grows, and the time comes.
Now
Whatever the foghorns are
the voices of feels terrible
tonight, just terrible, and here
by the window that looks out
on the waters but is blind, I
have been sleeping,
but I am awake now.
In the night I watch
how the little lights
of boats come out
to us and are lost again
in the fog wallowing on the sea:
it is as if in that absence not many
but a single light gestures
and diminishes like meaning
through speech, negligently
adance to the calling
of the foghorns like the one
note they lend from voice
to voice. And so does my life tremble,
and when I turn from the window
and from the seaâs grief, the room
fills with a dark
lushness and foliage nobody
will ever be plucked from,
and the feelings I have
must never be given speech.
Darkness, my name is Denis Johnson,
and I am almost ready to
confess it is not some awful
misunderstanding that has carried
me here, my arms full of the ghosts
of flowers, to kneel at your feet;
almost ready to see
how at each turning I chose
this way, this place and this verging
of ocean on earth with the horns claiming
I can keep on if only I step
where I cannot breathe. My coat
is leprosy and my dagger
is a lie; must I
shed them? Do I have
to end my life in order
to begin? Music, you are light.
Agony, you are only what tips
me from moment to moment, light
to light and word to word,
and I am here at the waters
because in this space between spaces
where nothing speaks,
I am what it says.
THREE
Ten Months After Turning Thirty
Weâve been to see a movie, a rotten one
that cost four dollars, and now we slip
in a cheap car along expensive streets
through a night broken open like a stalk
and offering up a sticky, essential darkness,
just as the terrible thing inside of me,
the thick green vein of desire or whatever it was,
is broken and I can rest.
Maybe in another place and time, people
drive slowly past the taverns
with black revolvers reaching from their windows,
but here in the part of night where every
breath is a gift tremendous as the sea,
thousands of oleanders wave
blossoms like virgins after a war.
I can hear my own scared laughter coming back
from desolate rooms where the light-bulbs
lunge above the radios all night,
and I apologize now to those
rooms for having lived in them. Things
staggered sideways a while. Suddenly
Iâm stretched enough to call certain of my days
the old days, remembering how we burned
to hear of the destruction of the world,
how we hoped for it until many of us were dead,
the most were lost, and a couple lucky
enough to stand terrified outside the walls
of Jerusalem knowing things we never learned.
In a Light of Other Lives
Itâs raining, and