the streetlights on the wet
street are like regurgitated lights,
but the ambulanceâs ruby element
can move among our rooms without a care,
so that we who generally sleep
where it is black awaken in a red
light of other lives, saying I
can see every article,
I can see every article in its fame.
Saying How long do I stay here in the jail
of times like this, where the clear
water has the flavor of thirst
and the meat tastes like it is eating me
and the dayâs bread changes into a face?
Where sometimes you see the sorrow of a whole life
open away from you white as an invitation
on the blue of night, and the moon is a monster?
All the night long I can betray myself in the honky-tonk
of terror and delight, I can throw away my faith,
go loose in the spectacular fandango
of emergencies that strum the heart
with neon, but I canât
understand anything. It is coming:
the curtains of rain and light the arc lamps
let down on First Avenue will be parted,
and from behind them, the people we really are will step out
with abandon, as if asked to danceâ
the myriad tickets will fall away from the face
and the visions of the heart be delivered up naked
and lucid as teeth, and each
of the things that catch up with this robber
will fall on God: now You must follow
the spoor of Your own blood among
edifices, among monuments, until the police
have You in their arms
and make You say Your name.
I want to be there when the little pool of light
falls on the identification,
I swear I will never tell the others if You whisper
to me what this moment is before the ambulances,
and what these moments are
when all that was impending
begins, when the whole
downtown, arrested like a lung
between intake and expulsion, erupts
into genuinenessâas if many
bells have been struck and what
the world is, is that I can touch
their ringing. It is unbreakable.
It is the examiner before whom the emptiness
inside me perjures itself.
It is the examiner who is a fist.
For Jane
At left, with a net, in a light
like whiskey, you skim flotsam
from the water.
I canât tell you how vivid
this undertaking isâ
you are as unsettling
and as naked as that yellow
flower admiring you as it rests
along the surface of the pool.
I am just going to listen
to the sound of liquid,
the sound of oleanders.
If ever
I was about to speak I
forget. I can see
that the single flower goes
aloft on the water of
the pool because it is something
that everything has addressed
to my darling, while I stand
here like some ashes
that used to be a clown,
looking out quietly
from my face to watch the failure
of these words to be those things.
Sway
Since I find you will no longer love,
from bar to bar in terror I shall move
past Forty-third and Halsted, Twenty-fourth
and Roosevelt where fire-gutted cars,
their bones the bones of coyote and hyena,
suffer the light from the wrestling arena
to fall all over them. And what they say
blends in the tarantellasmic sway
of all of us between the two of these:
harmony and divergence,
their sad story of harmony and divergence,
the story that begins
I did not know who she was
and ends I did not know who she was .
The Circle
for Jane, after a dream
I passed a helicopter
crashed in the street today,
where stunned and suddenly grief-torn
passers-by tried to explain
over and over, a hundred ways, what
had happened. Some cried over the pilot,
others stole money from his walletâ
I heard the one responsible for his death
claiming the pilot didnât need it any more,
and whether he spoke of the pilotâs
money or his life wasnât clear.
The scene had a subaqueous timbre
that I recognize now as a light
that shines in the dreams I have when I sleep
on my back and wake up half-drowned.
However I tried to circumnavigate
this circus of fire and mourningâ
the machine burst ajar like a bug,
the corpse a lunch pail
left open and