by eyes like a child’s crayon drawing. you won’t be able to drink a glass of water or walk across a room. there will be the walls and the sound of the streets outside, and you’ll hear machineguns and mortar shells. that’ll be when you want it and can’t have it.
the teeth are never finally the teeth of love.
guru
big black beard tells me that I don’t feel terror
I look at him my gut rattles gravel
I see his eyes look upward
he’s strong
has dirty fingernails
and upon the walls: scabbards.
he knows things:
books the odds the best road home
I like him but I think he lies
(I’m not sure he lies)
his wife sits in a dark corner
when I first met her she was the most beautiful woman I had ever seen
now she has become his twin
perhaps not his fault:
perhaps the thing does us all like that
yet after I leave their house I feel terror
the moon looks diseased
my hands slip on the steering wheel
I get my car out and down the hill
almost crash it into a blue-green parked car clod me forever, Beatrice
wavering poet, ha haha
dinky dog of terror.
the professors
sitting with the professors we talk about Allen Tate and John Crow Ransom the rugs are clean and the coffeetables shine and there is talk of budgets and works in progress and there is a fireplace. the kitchen floor is well-waxed and I have just eaten dinner after drinking until 3 a.m. after reading the night before
now I’m to read again at a nearby college. I’m in Arkansas in January somebody even mentions Faulkner I go to the bathroom and vomit up the dinner when I come out they are all in their coats and overcoats waiting in the kitchen. I ’m to read in 15 minutes. there’ll be a good crowd they tell me.
for Al —
don’t worry about rejections, pard, I’ve been rejected before.
sometimes you make a mistake, taking the wrong poem more often I make the mistake, writing it.
but I like a mount in every race even though the man who puts up the morning line
tabs it 30 to one.
I get to thinking about death more and more
senility
crutches
armchairs
writing purple poetry with a dripping pen
when the young girls with mouths like barracudas bodies like lemon trees bodies like clouds bodies like flashes of lightning stop knocking on my door.
don’t worry about rejections, pard. I have smoked 25 cigarettes tonight and you know about the beer.
the phone has only rung once: wrong number.
how to be a great writer
you’ve got to fuck a great many women beautiful women and write a few decent love poems.
and don’t worry about age and/or freshly-arrived talents.
just drink more beer more and more beer
and attend the racetrack at least once a week
and win if possible.
learning to win is hard— any slob can be a good loser.
and don’t forget your Brahms and your Bach and your beer .
don’t overexercise.
sleep until noon.
avoid credit cards or paying for anything on time.
remember that there isn’t a piece of ass in this world worth over $50 (in 1977). and if you have the ability to love love yourself first but always be aware of the possibility of total defeat whether the reason for that defeat seems right or wrong—
an early taste of death is not necessarily a bad thing.
stay out of churches and bars and museums, and like the spider be patient— time is everybody’s cross, plus exile defeat treachery
all that dross.
stay with the beer.
beer is continous blood.
a continuous lover.
get a large typewriter and as the footsteps go up and down outside your window