fought so well:
Hemingway, Celine, Dostoevsky, Hamsun.
if you think they didn’t go crazy
in tiny rooms
just like you’re doing now
without women
without food
without hope
then you’re not ready.
drink more beer.
there’s time.
and if there’s not
that’s all right
too.
the price
drinking 15 dollar champagne—
Cordon Rouge —with the hookers.
one is named Georgia and she
doesn’t like pantyhose:
I keep helping her pull up
her long dark stockings.
the other is Pam-prettier
but not much soul, and
we smoke and talk and I
play with their legs and
stick my bare foot into
Georgia’s open purse.
it’s filled with
bottles of pills. I
take some of the pills.
“listen,” I say, “one of
you has soul, the other
looks. Can’t I combine
the 2 of you? take the soul
and stick it into the looks?”
“you want me,” says Pam, “it
will cost you a hundred.”
we drink some more and Georgia
falls to the floor and can’t
get up.
I tell Pam that I like her
earrings very much. Her
hair is long and a natural
red.
“I was only kidding about the
hundred,” she says.
“oh,” I say, “what will it cost
me?”
she lights her cigarette with
my lighter and looks at me
through the flame:
her eyes tell me.
“look,” I say, “I don’t think I
can ever pay that price again.”
she crosses her legs
inhales on her cigarette
as she exhales she smiles
and says, “sure you can.”
alone with everybody
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but they keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.
there’s no chance
at all:
we are all trapped
by a singular
fate.
nobody ever finds
the one.
the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill
nothing else
fills.
the 2nd novel
they’d come around and
they’d ask
“you finished your
2nd novel yet?”
“no.”
“whatsamatta? whatsamatta
that you can’t
finish it?”
“hemorrhoids and
insomnia.”
“maybe you’ve lost
it?”
“lost what?”
“you know.”
now when they come
around I tell them,
“yeh. I finished
it. be out in Sept.”
“you finished it?”
“yeh.”
“well, listen, I gotta
go.”
even the cat
here in the courtyard
won’t come to my door
anymore.
it’s nice.
Chopin Bukowski
this is my piano.
the phone rings and people ask,
what are you doing? how about
getting drunk with us?
and I say,
I’m at my piano.
what?
I’m at my piano.
I hang up.
people need me. I fill
them. if they can’t see me
for a while they get desperate, they get
sick.
but if I see them too often
I get sick. it’s hard to feed
without getting fed.
my piano says things back to
me.
sometimes the things are
scrambled and not very good.
other times
I get as good and lucky as
Chopin.
sometimes I get out of practice
out of tune. that’s
all right.
I can sit down and vomit on the
keys
but it’s my
vomit.
it’s better than sitting in a room
with 3 or 4 people and
their pianos.
this is my piano
and it is better than theirs.
and they like it and they do not
like it.
gloomy lady
she sits up there
drinking wine
while her husband
is at work.
she puts quite
some importance
upon getting her
poems published
in the little
magazines.
she’s had two or
three of her slim
volumes of poems
done in mimeo.
she has two or
three children
between the ages
of 6 and 15.
she is no longer
the beautiful woman
she was. she sends
photos of herself
sitting upon a rock
by the ocean
alone and damned.
I could have had
her once. I wonder
if she
Christine Zolendz, Frankie Sutton, Okaycreations