for me to read," Klaus said. "You never know." "That's right," Violet said. "You never know. This might be a wonderful place to live." The three siblings looked at one another, and felt a little better. It is true, of course, that you never know. A new experience can be extremely pleasurable, or extremely irritating, or somewhere in between, and you never know until you try it out. And as the children began walking toward the gray, windowless building, they felt ready to try out their new home at the Lucky Smells Lumbermill, because you never know. But - and my heart aches as I tell you this - I always know. I know because I have been to the Lucky Smells Lumbermill, and learned of all the atrocious things that befell these poor orphans during the brief time they lived there. I know because I have talked to some of the people who were there at the time, and heard with my own ears the troublesome story of the children's stay in Paltryville. And I know because I have written down all the details in order to convey to you, the reader, just how miserable their experience was. I know, and this knowledge sits in my heart, heavy as a paperweight. I wish I could have been at the lumbermill when the Baudelaires were there, because they didn't know. I wish I could tell them what I know, as they walked across the courtyard, raising small clouds of dust with every step. They didn't know, but I know and I wish they knew, if you know what I mean. When the Baudelaires reached the door of the gray building, Klaus took another look at the map, nodded his head, and knocked. After a long pause, the door creaked open and revealed a confusedlooking man whose clothes were covered in sawdust. He stared at them for quite some time before speaking. "No one has knocked on this door," he said finally, "for fourteen years." Sometimes, when somebody says something so strange that you don't know what to say in return, it is best to just politely say "How do you do?" "How do you do?" Violet said politely. "I am Violet Baudelaire, and these are my siblings, Klaus and Sunny." The confused-looking man looked even more confused, and put his hands on his hips, brushing some of the sawdust off his shirt. "Are you sure you're in the right place?" he asked. "I think so," Klaus said. "This is the dormitory at the Lucky Smells Lumbermill, isn't it?" "Yes," the man said, "but we're not allowed to have visitors." "We're not visitors," Violet replied. "We're going to live here." The man scratched his head, and the Baude-laires watched as sawdust fell out of his messy gray hair. "You're going to live here, at the Lucky Smells Lumbermill?" "Cigarn!" Sunny shrieked, which meant "Look at this note!" Klaus gave the note to the man, who was careful not to touch the gum as he read it over. Then he looked down at the orphans with his tired, sawdust-sprinkled eyes. "You're going to work here, too? Children, working in a lumber-mill is a very difficult job. Trees have to be stripped of their bark and sawed into narrow strips to make boards. The boards have to be tied together into stacks and loaded onto trucks. I must tell you that the majority of people who work in the lumber business are grown-ups. But if the owner says you're working here, I guess you're working here. You'd better come inside." The man opened the door further, and the Baudelaires stepped inside the dormitory. "My name's Phil, by the way," Phil said. "You can join us for dinner in a few minutes, but in the meantime I'll give you a tour of the dormitory." Phil led the youngsters into a large, dimly lit room filled with bunk beds, standing in rows and rows on a cement floor. Sitting or lying down on the bunks were an assortment of people, men and women, all of whom looked tired and all of whom were covered in sawdust. They were sitting together in groups of four or five, playing cards, chatting quietly, or simply staring into space, and a few of them looked up with mild interest as the three siblings walked into