the room. The whole place had a damp smell, a smell rooms get when the windows have not been opened for quite some time. Of course, in this case the windows had never been opened, because there weren't any windows, although the children could see that somebody had taken a ballpoint pen and drawn a few windows on the gray cement walls. The window drawings somehow made the room even more pathetic, a word which here means "depressing and containing no windows," and the Baudelaire orphans felt a lump in their throats just looking at it. "This here is the room where we sleep," Phil said. "There's a bunk over there in the far corner that you three can have. You can store your bag underneath the bed. Through that door is the bathroom and down that hallway over there is the kitchen. That's pretty much the grand tour. Everyone, this is Violet, Klaus, and Sunny. They're going to work here." "But they're children, " one of the women said. "I know," Phil said. "But the owner says they're going to work here, so they're going to work here." "By the way," Klaus said, "what is the owner's name? Nobody has told us." "I don't know," Phil said, stroking his dusty chin. "He hasn't visited the dormitory for six years or so. Does anybody remember the owner's name?" "I think it's Mister something," one of the men said. "You mean you never talk to him?" Violet asked. "We never even see him," Phil said. "The owner lives in a house across from the storage shed, and only comes to the lumbermill for special occasions. We see the foreman all the time, but never the owner." "Teruca?" Sunny asked, which probably meant "What's a foreman?" "A foreman," Klaus explained, "is somebody who supervises workers. Is he nice, Phil?" "He's awful!" one of the other men said, and some of the others took up the cry. "He's terrible!" "He's disgusting!" "He's revoltingl" "He's the worst foreman the world has ever seen!" "He is pretty bad," Phil said to the Baude-laires. "The guy we used to have, Foreman Firstein, was O.K. But last week he stopped showing up. It was very odd. The man who replaced him, Foreman Flacutono, is very mean. You'll stay on his good side if you know what's good for you." "He doesn't have a good side," a woman said. "Now, now," Phil said. "Everything and everybody has a good side. Come on, let's have our supper." The Baudelaire orphans smiled at Phil, and followed the other employees of the Lucky Smells Lumbermill into the kitchen, but they still had lumps in their throats as big as the lumps in the beef casserole that they ate for supper. The children could tell, from Phil's statement about everything and everybody having a good side, that he was an optimist. "Optimist" is a word which here refers to a person, such as Phil, who thinks hopeful and pleasant thoughts about nearly everything. For instance, if an optimist had his left arm chewed off by an alligator, he might say, in a pleasant and hopeful voice, "Well, this isn't too bad. I don't have my left arm anymore, but at least nobody will ever ask me whether I am right-handed or left-handed," but most of us would say something more along the lines of "Aaaaah! My arm! My arm!" The Baudelaire orphans ate their damp casserole, and they tried to be optimists like Phil, but try as they might, none of their thoughts turned out pleasant or hopeful. They thought of the bunk bed they would share, in the smelly room with windows drawn on the walls. They thought of doing hard work in the lumbermill, getting sawdust all over them and being bossed around by Foreman Flacutono. They thought of the eye-shaped building outside the wooden gate. And most of all, they thought of their parents, their poor parents whom they missed so much and whom they would never see again. They thought all through supper, and they thought while changing into their pajamas, and they thought as Violet tossed and turned in the top bunk and Klaus and Sunny tossed and turned below her. They thought, as they did in the courtyard, that you