were married. And itâs over fifty years later and weâre still married.
FADE OUT .
FADE IN:
EXT. UNIVERSITY OF CHICAGO CAMPUSâDAY
CARD: UNIVERSITY OF CHICAGO
â
1977
A couple in a clinch
.
The young man involved is named HARRY BURNS. Heâs twenty-six years old, just graduated from law school. Wearing jeans and a sweatshirt
.
Heâs kissing a young woman named AMANDA. She has long, straight hair that she irons. Sheâs about twenty. The embrace is fairly melodramatic. They pull back to look at one another
.
AMANDA Â Â Â Â I love you.
HARRY Â Â Â Â I love you.
They begin to kiss again
.
A car pulls up right beside them. Stops. Sits there
.
Driving the car is SALLY ALBRIGHT. Sheâs twenty-one years old. Sheâs very pretty although not necessarily in an obvious way. She sits there waiting for the kiss to end. It doesnât end. She clears her throat
.
Amanda sees Sally, and she and Harry move over to the car
.
AMANDA Â Â Â Â Oh. Hi, Sally. Sally, this is Harry Burns. Harry, this is Sally Albright.
HARRY Â Â Â Â Nice to meet you.
They shake hands
.
SALLY Â Â Â Â
(to Harry)
    You want to drive the first shift?
HARRY Â Â Â Â No, no, youâre there already, you can start.
SALLY Â Â Â Â Backâs open.
Harry looks meaningfully at Amanda
.
Then he starts to put his stuffâa duffel bag, a box of recordsâinto the back seat of the car, where Sallyâs stuff is, tooâsuitcases, stereo speakers, a guitar, boxes of books, a small TV
.
AMANDA Â Â Â Â Call me.
HARRY Â Â Â Â Iâll call as soon as I get there.
AMANDA Â Â Â Â Call me from the road.
HARRY Â Â Â Â Iâll call before that.
Harry and Amanda exchange longing looks outside the car
.
AMANDA Â Â Â Â I love you.
HARRY Â Â Â Â I love you.
They kiss again
.
Sally sits waiting, waiting. She shifts position and accidentally-on-purpose hits the car HORN, which beeps and startles Amanda and Harry into breaking off their clinch
.
SALLY Â Â Â Â Sorry.
HARRY Â Â Â Â I miss you already.
AMANDA Â Â Â Â I miss you.
HARRY Â Â Â Â Bye.
Harry gets into the car, and Amanda watches it pull away
.
CUT TO :
INT. CARâDAY
Harry takes out a bunch of grapes, starts to eat them
.
SALLY Â Â Â Â I have it all figured out. Itâs an eighteen-hour trip, which breaks down to six shifts of three hours each. Or, alternatively, we could break it down by mileage. Thereâs a map on the visor that Iâve marked to show the locations where we change shifts.
HARRY Â Â Â Â
(offering her one)
    Grape?
SALLY Â Â Â Â No. I donât like to eat between meals.
Harry spits a grape seed out the window, which doesnât happen to be down
.
HARRY Â Â Â Â Iâll roll down the window.
After a lengthy silence
.
HARRY Â Â Â Â ( CONTâD )Â Â Â Â Why donât you tell me the story of your life?
SALLY Â Â Â Â The story of my life?
HARRY Â Â Â Â Weâve got eighteen hours to kill before we hit New York.
SALLY Â Â Â Â The story of my life isnât even going to get us out of Chicago. I mean, nothingâs happened to me yet. Thatâs why Iâm going to New York.
HARRY Â Â Â Â So something can happen to you?
SALLY Â Â Â Â Yes.
HARRY Â Â Â Â Like what?
SALLY Â Â Â Â Like Iâm going to go to journalism school to become a reporter.
HARRY Â Â Â Â So you can write about things that happen to other people.
SALLY Â Â Â Â
(after a beat)
    Thatâs one way to look at it.
HARRY Â Â Â Â Suppose nothing happens to you. Suppose you live there your whole life and nothing happens. You never meet anyone, you never become anything, and finally you die one of those New York deaths where nobody