photo lab had been set up in one of the basement rooms. It looked like my father had been using a 35 millimetre film camera. There were still chemicals in the baths, but no trace of any photos . I found a freezer crammed with large chunks of meat. At first I thought it looked like human flesh, but my father was neither a serial killer nor a cannibal. I remembered t hat he used to hunt. T he meat must be moose . By the time I’d changed into dry clothes and ga ve Carrie a ring, I was tipsy and emotional. I’d left her in our Holloway flat at the crack of dawn. I really didn’t like leaving her alone, espe cially as she was pregnant and due the following week. I didn’t tell her about the burglary or the bump on my head , because I knew she’d go bonkers an d tell me I had to have a scan. Of course she would be right, but I couldn’t face spending half a day in a hospital waiting room to end up being to ld to wait for the bulge to go. What bothered me more though was that by being in Mariehamn, I risked missing the birth. I really wanted to be there with her. W e’d been through so much together, including three miscarriages before getting this far . I’d been watching Carrie like a hawk for the past few months, checking everything she ate, every step she took. I’d kept her locked up in the flat for most of the pregnancy and w e hadn’t spent a single night apart since I’d moved in. I had to control myself not to ask her what she’d eaten.
6
Dahl found me cuddling my old skates with glazed - over eyes . Once he spotted the bottle on the table , he gathere d I was on a sentimental slide. ‘ Time travelling are we? ’ My father’s solicitor was tall with the look of some one on dairy, beer and aquavit – square with bloodshot eyes, bulky but not floppy. He nodded as he reached out for my hand. ‘ My condolences. ’ I shook his. ‘ Aouch! ’ He ’d just seen my bump . ‘ Here , this should do it . ’ He handed me a pack of painkillers. I took two and flushed them down with the aquavit. ‘ You need to id entify the body before we can talk about the will. Are you ready to go now ? ’ T he question caught me off - guard . U ntil then it had been as if my father didn’t exist . He ’d been an imaginary character from a distant past . I wasn’t prepared to face his body. Subconsciously, I’d assumed I would be going straight to the funeral – that’s what u su ally happened in the movies. It simply hadn’t occurred to me to think abo ut what would happen to it before . It was the first time I was dealing directly with a person’s death and I didn’t particularly want to see my deceased father. I would have preferred to hold on to what was left of his living memory , but Dahl w as waiting patiently for my decision . He stayed in the car while I went into the funeral home , where t he receptionist had me sit in an armchair until the undertaker came to greet me. He le d me down a long corridor and stopped at the last door. The place was dead silent and immaculately clean . Did I want to be left alone with my father? I did. A priest was available if I wished but although I didn’t , t he man seemed to insist. I wasn’t sure who he felt sorrier for , t he priest or me. I didn’t care. I wanted to go in on my own. I didn’t need a priest to tell me what to feel. My father’s body was lying in the middle of the room . He was covered by a white she et , except for his face and arms . There were three candles burning on a table along the wall. So t his wa s what they called a show room – the last chance for mourners to see their loved one. The candles a nd the sheet reminded me of the Saint Lucia day celebrated in the Nordic countries , when a – usually blonde – girl in a white gown with a crown of candles on her head leads a procession through the winter darkness. But my father made for an unlikely Lucia – he was neither girl, nor blonde. L ooking at his body from a