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at an expansive and leisurely pace. It is writing that can shift without strain or falsity of tone from the gravitas befitting a book about great historical events to the humor and irony dictated by an unfailing sense of human proportion.
A critic who can suck like that, as was once drily said by one of my moral tutors, need never dine alone. And nor need his subject. Except that, every now and then, the recipient (and donor) of so much sycophancy feels a tremor of anxiety. He leaves the well-furnished table and scurries to the bathroom. Is it perhaps another disclosure on a newly released Nixon tape? Some stray news from Indonesia, portending the fall or imprisonment of another patron (and perhaps the escape of an awkward document or two)? The arrest or indictment of a torturer or assassin, the expiry of the statute of secrecy for some obscure cabinet papers in a faraway country - any one of these can instantly spoil his day. As we see from the Korda tape, Kissinger cannot open the morning paper with the assurance of tranquility. Because he knows what others can only suspect, or guess at. He knows. And he is a prisoner of the knowledge as, to some extent, are we.
Notice the likeable way in which Mr. Korda demonstrates his broad-mindedness with the Cambodia jest. Everybody "knows," after all, that Kissinger inflicted terror and misery and mass death on that country, and great injury to the United States Constitution at the same time. (Everybody also "knows" that other vulnerable nations can lay claim to the same melancholy and hateful distinction, with incremental or "collateral" damage to American democracy keeping pace.) Yet the pudgy man standing in black tie at the Vogue party is not, surely, the man who ordered and sanctioned the destruction of civilian populations, the assassination of inconvenient politicians, the kidnapping and disappearance of soldiers and journalists and clerics who got in his way? Oh, but he is. It's exactly the same man. And that may be among the most nauseating reflections of all. Kissinger is not invited and feted because of his exquisite manners or his mordant wit (his manners are in any case rather gross, and his wit consists of a quiver of borrowed and secondhand darts). No, he is sought after because his presence supplies a frisson: the authentic touch of raw and unapologetic power.
There's a slight guilty nervousness on the edge of Mr. Korda's gag about the indescribable sufferings of Indochina. And I've noticed, time and again standing at the back of the audience during Kissinger speeches, that laughter of the nervous, uneasy kind is the sort of laughter he likes to provoke. In exacting this tribute, he flaunts not the "aphrodisiac" of power (another of his plagiarized bons mots) but its pornography.
1
CURTAIN-RAISER: THE SECRET OF '68
THERE EXISTS, WITHIN the political class of Washington, DC, an open secret that is too momentous and too awful to tell. Though it is well known to academic historians, senior reporters, former cabinet members and ex-diplomats, it has never been summarized all at one time in any one place. The reason for this is, on first viewing, paradoxical. The open secret is in the possession of both major political parties, and it directly implicates the past statecraft of at least three former presidencies. Thus, its full disclosure would be in the interest of no particular faction. Its truth is therefore the guarantee of its obscurity; it lies like Poe's
"purloined letter" across the very aisle that signifies bipartisanship.
Here is the secret in plain words. In the fall of 1968, Richard Nixon and some of his emissaries and underlings set out to sabotage the Paris peace negotiations on Vietnam. The means they chose were simple: they privately assured the South Vietnamese military rulers that an incoming Republican regime would offer them a better deal than would a Democratic one. In this way, they undercut both the talks themselves and the electoral strategy of