The Likeness: A Novel
habit of settling and never learned the knack. A little naďve maybe, a little unguarded, too ready to tell you anything you asked without thinking twice. “She’s bait,” Frank said bluntly, “and she has to be the right bait to make the dealers rise. We need her innocent enough that they won’t consider her a threat, respectable enough to be useful to them, and rebellious enough that they won’t wonder why she wants to play.”
By the time we finished, it was dark. “Nice work,” Frank said, folding up the timeline and passing it to me. “There’s a detective training course starting in ten days; I’ll get you into that. Then you’ll come back here and I’ll work with you for a while. When UCD starts back in October, you’ll go in.”
He hooked a leather jacket off the corner of the shelves, switched off the light and shut the door on the dark little office. I walked back to the bus station dazzled, wrapped in magic, floating in the middle of a secret and a brand-new world, with the timeline making little crackling sounds in the pocket of my uniform jacket. It was that quick, and it felt that simple.
    * * *
I’m not going to get into the long, snarled chain of events that took me from Undercover to Domestic Violence. The abridged version: UCD’s premier speed freak got paranoid and stabbed me, wounded-in-the-line-of-duty got me a place on the Murder squad, the Murder squad got to be a head-wrecker, I got out. It had been years since I’d thought about Lexie and her short shadowy life. I’m not the type to look back over my shoulder, or at least I try hard not to be. Gone is gone; pretending anything else is a waste of time. But now I think I always knew there would be consequences to Lexie Madison. You can’t make a person, a human being with a first kiss and a sense of humor and a favorite sandwich, and then expect her to dissolve back into scribbled notes and whiskeyed coffee when she no longer suits your purposes. I think I always knew she would come back to find me, someday.
It took her four years. She picked her moment carefully. When she came knocking, it was an early morning in April, a few months after the end of my time in Murder, and I was at the firing range.
The range we use is underground in the city center, deep under half the cars in Dublin and a thick layer of smog. I didn’t need to be there—I’ve always been a good shot, and my next qualifying test wasn’t for months—but for the last while I had been waking up way too early for work and way too restless for anything else, and target practice was the only thing I had found that worked the jitters out of me. I took my time adjusting the earmuffs and checking my gun, waited till everyone else was concentrating on their own targets, so they wouldn’t see me galvanizing like an electrocuted cartoon character on the first few shots. Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don’t notice. Pretty soon, if you’re a fast learner, you can get through the day looking almost exactly like a normal human being.
I never used to be like that. I always figured nerves were for Jane Austen characters and helium-voiced girls who never buy their round; I would no more have turned shaky in a crisis than I would have carried smelling salts around in my reticule. Getting stabbed by the Drug Demon of UCD barely even fazed me. The department shrink spent weeks trying to convince me I was deeply traumatized, but eventually he had to give up, admit I was fine (sort of regretfully; he doesn’t get a lot of stabbed cops to play with, I think he was hoping I would have some kind of fancy complex) and let me go back to work.
Embarrassingly, the one that got me wasn’t a spectacular mass murder or a hostage crisis gone bad or a nice quiet guy with human organs in his Tupperware. My last case in Murder was such a simple one, so much like dozens of others, nothing to warn us:

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