Tags:
Fiction,
General,
thriller,
Suspense,
Mystery,
Mystery Fiction,
Women Detectives,
Murder,
Fiction - Espionage,
Investigation,
Murder - Investigation,
Ireland,
Women Detectives - Ireland,
Irish Novel And Short Story
cute. He had his muscles arranged to full advantage, and I had caught him checking out my ring finger.
“Must’ve heard we weren’t available,” said his mate.
I fished the phone out of my locker. The screen said SAM O’NEILL, and the missed-call icon was flashing at me in one corner.
“Hi,” I said. “What’s up?”
“Cassie,” Sam said. He sounded terrible: breathless and sick, as if someone had punched the wind out of him. “Are you OK?”
I turned my shoulder to the Vice guys and moved off into a corner. “I’m fine. Why? What’s wrong?”
“Jesus Christ,” Sam said. He made a hard little noise like his throat was too tight. “I called you four times. I was about to send someone over to your place looking for you. Why didn’t you answer your bloody phone?”
This was not like Sam. He’s the gentlest guy I’ve ever known. “I’m at the firing range,” I said. “It was in my locker. What’s happened?”
“Sorry. I didn’t mean to . . . sorry.” He made that harsh little sound again. “I got called out. On a case.”
My heart gave one huge whap against my rib cage. Sam is on the Murder squad. I knew I should probably sit down for this, but I couldn’t make my knees bend. I leaned back against the lockers instead.
“Who is it?” I asked.
“What? No—God, no, it’s not . . . I mean, it’s not anyone we know. Or anyway I don’t think—Listen, can you come down here?”
My breath came back. “Sam,” I said. “What the hell is going on?”
“Just . . . can you just come? We’re in Wicklow, outside Glenskehy. You know it, right? If you follow the signs, go through Glenskehy village and keep going straight south, about three-quarters of a mile on there’s a little lane to your right—you’ll see the crime-scene tape. We’ll meet you there.”
The Vice boys were starting to look interested. “My shift starts in an hour,” I said. “It’ll take me that long just to get out there.”
“I’ll call it in. I’ll tell DV we need you.”
“You don’t. I’m not in Murder any more, Sam. If this is a murder case, it’s nothing to do with me.”
A guy’s voice in the background: a firm, easy drawl, hard to ignore; familiar, but I couldn’t place it. “Hang on,” Sam said.
I clamped the phone between my ear and my shoulder and started fitting my gun back together. If it wasn’t someone we knew, then it had to be a bad one, to make Sam sound like that; very bad. Irish homicides are still, mostly, simple things: drug fights, burglaries gone wrong, SOS killings (Spouse On Spouse or, depending who you ask, Same Old Shite), this elaborate family feud in Limerick that’s been screwing up the figures for decades. We’ve never had the orgies of nightmare that other countries get: the serial killers, the ornate tortures, the basements lined with bodies thick as autumn leaves. But it’s only a matter of time, now. For ten years Dublin’s been changing faster than our minds can handle. The economic boom has given us too many people with helicopters and too many crushed into cockroachy flats from hell, way too many loathing their lives in fluorescent cubicles, enduring for the weekend and then starting all over again, and we’re fracturing under the weight of it. By the end of my stint in Murder I could feel it coming: felt the high sing of madness in the air, the city hunching and twitching like a rabid dog building towards the rampage. Sooner or later, someone had to pull the first horror case.
We don’t have official profilers, but the Murder guys, who mostly didn’t go to college and who were more impressed by my psychology semi-degree than they should have been, used to use me. I was OK at it; I read textbooks and statistics a lot, in my spare time, trying to catch up. Sam’s cop instincts would have overridden his protective ones and he would have called me in, if he needed to; if he’d got to a scene and found something bad enough.
“Hang on,” the redhead said. He had