again.
Unlike the rest of that day, the clarity of their last evening together was so strong that it made Mary double over to remember it. All of it. The late afternoon sun in their kitchen. Stella working on her Weekly Reader . Lighting the grill for an early barbecue. Stella drizzling the olive oil on the chicken. Stella scrubbing the dusty outdoor table and chairs, placing the napkins so carefully beside each plate, running into Dylan’s arms when he walked into the backyard, grinning, pleased, and said: “A barbecue! In April!” “Yes,” Stella had said, “we’re eating outside !”
That night, Mary placed the portable CD player in the open window and played Stella’s favorite CD of dance music, the two of them dancing barefoot: the Macarena, the chicken dance, the limbo, and finally Dylan joined them and all three danced to “Shout,” jumping and waving their arms. The sliver of a moon hung above them in the big glorious sky, like a blessing, Mary remembered thinking.
THE MORNING OF Stella’s funeral, Mary’s mother called.
“You have so many people with you,” she’d said. “I know you’ll understand if I go back this morning. The later flight gets in after midnight, and you have so many people with you.”
Mary had frowned, not believing what her mother was telling her. “You’re not coming?” she asked. She still wasn’t able to say her daughter’s name in the same sentence as “funeral” or “died” or “dead.”
“You understand, don’t you?” her mother had said, and Mary thought she heard pleading in her voice. While her mother explained about the connection in Mexico City, how far apart the gates were, how confusing Customs was there, Mary quietly hung up.
Her mother had disappointed her for her entire life. She was not the mother who went to school plays or parents’ nights; she gave praise rarely but never gushed or bragged; she had missed Mary’s wedding because of a strike in San Miguel, where she lived, that forced her to miss her flight to the States. “I’ll send you a nice gift,” she’d said. And she had. The next week a set of Mexican pottery arrived, with half of the plates broken in the journey.
But still, in this most terrible time, Mary had expected her mother to be there in a way she had not been able to so far. When Mary studied the faces in the church, saw the neighbors and colleagues and teachers and relatives and friends, disappointment filled her chest so that she couldn’t breathe. She had to sit down and gulp air. Her mother really had not come.
The flower arrangement her mother sent was the biggest of them all. Purple calla lilies, so many that they threatened to swallow the entire room. If Mary had had the energy, she would have thrown it out, that ostentatious apology. Instead, she purposely left it behind.
IN THE HOT sticky summer right after Stella died, Mary’s mother called her. She had called once a week, offering advice. Usually Mary didn’t speak to her at all.
“What you need,” her mother told her, “is to learn to knit.”
“Right,” Mary said.
Her mother’s colonial house in San Miguel de Allende, Mexico, had a bright blue door that led to a courtyard where a fountain gurgled and big pink flowers bloomed. She had stopped drinking when Mary was a senior in high school. Now that Mary thought about it, that was when her mother started knitting. One day, balls of yarn appeared everywhere. Her mother sat and studied patterns at the kitchen table, drinking coffee and chewing peppermint candies.
“Here’s what I’m hearing,” her mother said. “You can’t work, you can’t think, you can’t read.”
While her mother talked, Mary cried. Not the painful sobbing that had consumed her when Stella first died, but the almost constant crying that had replaced it. Her world, which had been so benign, had turned into a minefield. The grocery store held only the summer berries that Stella loved. Elevators only played
Tim Lahaye, Jerry B. Jenkins