imprint of her mother’s on the water glass. She could taste the crayon taste of the lipstick, and then, sipping, the shock of vodka. All of those afternoons, her mother cooking with such concentration, those nights when she passed out on the sofa, her mother had been drunk. The realization did not shock Mary. Instead, it simply explained everything. Everything except why a woman so beautiful would drink so much.
THAT SAD SUMMER, time passed indifferently. Mary would lie in bed and think of what she should be doing—putting on Stella’s socks for her, cutting the crust off her sandwiches, gushing over a new art project, hustling her off to ballet class. Instead, she was home not knowing what to do with all of the endless hours in each day.
Mary was a writer for the local alternative newspaper, Eight Days a Week , affectionately referred to as Eight Days . She reviewed movies and restaurants and books. Every week since Stella had died, her boss Eddie called and offered her a small assignment. “Just one hundred words,” he’d say. “One hundred words about anything at all.” Holly, the office manager, came by with gooey cakes she had baked. Mary would glimpse her getting out of her vintage baby blue Bug, with her pale blond hair and big round blue eyes, unfolding her extralong legs and looking teary-eyed at the house, and she would pretend she wasn’t home. Holly would ring the doorbell a dozen times or more before giving up and leaving the sugary red velvet cake or the sweet white one with canned pineapple and maraschino cherries and too-sweet coconut on the front steps.
Mary used to go out several times a week, with her husband Dylan or her girlfriends, or even with Stella, to try a new Thai restaurant or see the latest French film. Her hours were crammed with things to do, to see, to think about. Books, for example. She was always reading two or three at a time. One would be open on the coffee table and another by her bed, and a third, poetry or short stories, was tucked in her bag to read while Stella ran with her friends around the neighborhood playground.
And Mary used to have ideas about all of these things. She used to believe firmly that Providence needed a good Mexican restaurant. She could pontificate on this for hours. She worried over the demise of the romantic comedy. She had started to prefer nonfiction to fiction. Why was this? she would wonder out loud frequently.
How had she been so passionate about all of these senseless things? Now her brain could no longer organize material. She didn’t understand what she had read or watched or heard. Food tasted like nothing, like air. When she ate, she thought of Stella’s Goodnight Moon book, and of how Stella would say the words before Mary could read them out loud: Goodnight mush. Goodnight nothing. It was as if she could almost hear her daughter’s voice, but not quite, and she would strain to find it in the silent house.
She imagined learning Italian. She imagined writing poetry about her grief. She imagined writing a novel, a novel in which a child is heroically saved. But words, the very things that had always rescued her, failed her.
“HOW’S THE KNITTING?” her mother asked her several weeks after suggesting Mary learn.
It was July by then.
“Haven’t gotten around to it yet,” Mary had mumbled.
“Mary, you need a distraction,” her mother said. In the background Mary heard voices speaking in Spanish. Maybe she should learn Spanish instead of Italian.
“Don’t tell me what I need,” she said. “Okay?”
“Okay,” her mother said.
IN AUGUST, DYLAN surprised her with a trip to Italy.
He had gone back to work right away. The fact that he had a law firm and clients who depended on him made Mary envious. Her office at home, once a walk-in closet off the master bedroom, had slowly returned to its former closet self. Sympathy cards, CDs, copies of books and poems and inspirational plaques, all the things friends had