upon at Claridgeâs,â Payne said sternly. âDoes the honour of the regiment mean so little to you?â âSomething funnyâs going on, Payne. See that couple over there?â Jesty pointed. âThe old boy and the girlie?â âWhat about them? You couldnât possibly be after him, so you must be after her.â âPerhaps I am. Any objections?â âAre you stalking her?â âShe did something rather peculiar. Iâm trying to work out what sheâs up to exactly â¦â The young woman had a delicate pale face. Hair pulled back in a severe bun. Late twenties or early thirties, Payne decided. Attractive. Practically no make-up. Simple black dress. Intense. Beautiful, yes, in a rather exclusive kind of way. Her bone structure! A model? Something of the head girl about herâthe way she did her hair. Made her appear a trifle forbidding. Shouldnât do her hair like that. The old boy was probably in his seventies. Face like a lugubrious bloodhound. Querulous expression. Balding. Smart double-breasted blazer and black tie ⦠Her grandfather? There was a coffee pot on the table in front of them with two cups. Also a glass. No food of any kind. Had they been to a funeral? Or were they going to one? A somewhat desolate air hung about them. âWho are they?â Payne whispered. âHer name is Penelope, thatâs how the pantaloon addressed her. No idea how they are related. My guess is he is her aged uncle.â âMay be her aged husband â¦â âPerish the thought! Donât think she likes him very much.â Jestyâs eyes narrowed. âSheâs a looker, isnât she?â âShe is, rather. Now, steady onââ âYou think I am after her virtue?â âArenât you?â âI want to stroke her hair ⦠Look at those lips ⦠Sheâs the kind that puts up a fight ⦠Iâd like that ⦠Incidentally, the pantaloon is going to a place called Maybrick Manor.â âMaybrick Manor?â âSome such name. May have been Maypole Manor. Or Mayflower. Not sure. The acoustics here are awful. Intend to complain to the manager about it.â âHasnât it occurred to you that perhaps Claridgeâs was never meant to accommodate eavesdroppers?â âThe old boy said something about it not being his fault the ghastly woman wanted to end it all.â âWhat ghastly woman?â âNo idea ⦠I managed to walk close by their table twiceâafter I saw what she did. I was curious. Donât think she noticed me. Didnât so much as lift her pretty head. Distraite .â âWhat did she do?â Jesty pointed. âSee that little box beside the old boyâs cup?â âWhat about it?â The next moment the young woman signalled to one of the waiters and said in a peremptory voice that was loud enough for them to hear, âCould we have the bill, please?â âYes, madam.â âLooks like a snuff-box.â Payne squinted. âA silver snuffbox. Seventeenth-century, at a guess.â The old man spoke peevishly. âPenelope, my dear, isnât it a bit early?â She glanced at her watch. âI donât think you should make the Master wait. It would be bad manners.â âI wouldnât have minded some more coffee, actually. Thereâs no need to hurry. The Master said, come whenever you want.â âThe Master was only being polite.â âThe Master is always polite.â Payne frowned. âWho is the Master?â âA damned fine-looking filly,â Jesty murmured. âI love her voice. I love her throatââ âShe looks jolly tense. Like a cat on hot bricks.â Payne stroked his jaw with his forefinger. âSheâs got a reason to be tense. She did something damned odd.â âWhat did she do?â Jesty did not