the drivers of hurtling eighteen-wheelers, some of whom thought it was radio malfunction, others unquiet ghosts.
Here came Van Meter now, around the corner of the Cuke, wearing his trademark face, Wounded Righteousness. âAre you ready? Weâll be losinâ the light, fogâs gonna come in any minute, what were you doinâ all the hell the way up to the Log Jam?â
âNo, Van Meterâwhy is everybody here instead?â
They went in the back way, Van Meter furrowing and unfurrowing his forehead. âGuess I can tell you now youâre here, is thereâs this old buddy of yours, just showed up?â
Zoyd went sweaty and had one of those gotta-shit throbs of fear. Was it ESP, was he only reacting to something in his friendâs voice? Somehow he knew who it would be. Here when he needed all his concentration for getting through another window, instead he had to worry about this visitor from out of the olden days. Sure enough, it turned out to be Zoydâs longtime pursuer, DEA field agent Hector Zuñiga, back once again, the erratic federal comet who brought, each visit in to Zoydâs orbit, new forms of bad luck and baleful influence. This time, though, it had been a while, long enough that Zoyd had begun to hope the man mightâve found other meat and be gone for good. Dream on, Zoyd. Hector stood over by the toilets pretending to play a Zaxxon machine, but in reality waiting to be reintroduced, this honor apparently falling to the manager of the Cuke, Ralph Wayvone, Jr., a remittance man from San Francisco, where his father was a figure of some substance, having grown successful in business areas where transactions are overwhelmingly in the form of cash. Today Ralph Jr. was all dolled up in a Cerruti suit, white shirt with cuff links, touch-them-you-die double-soled shoes from someplace offshore, the works. Like everybody else around here, he looked unusually anxious.
âSay Ralph, lighten up, itâs meâs gotta do all the work.â
âAhhh . . . my sisterâs wedding next weekend, the band just canceled, Iâm the social coordinator, supposed to find a replacement, right? You know of anybody?â
âYeah, maybe . . . you better not fuck up this one Ralph, you know whatâll happen.â
âAlways kidding, huh. Here, let me show you the window youâll be using. Can I have them get you a drink or anything? Oh by the way Zoyd, hereâs an old friend of yours, come all this way to wish you luck.â
âUh-huh.â He and Hector exchanged the briefest of thumbgrips.
âLove your outfit, Wheeler.â
Zoyd reached, bomb-squad careful, to pat Hectorâs stomach. âLook like you been âmoving the mustacheâ there a little, old amigo.â
âBigger, not softer,
ése.
And speaking of lunch, how about tomorrow at Vineland Lanes?â
âCanât do it, tryinâ to make the rent and Iâm already late.â
âItâs im-por-tanâ,â Hector making a little melody out of it. âThink of it this way. If I can prove to you, that Iâm as bad of a desperado as I ever was, will you allow me to spring for your lunch?â
âAs bad as . . .â As what? Why did Zoyd keep going, time after time, for these oily Hectorial setups? The best it had ever turned out for him was uncomfortable. âHector, weâre too old for this.â
âAfter all the smiles, and all the tearsââ
âAll right, stop, itâs a dealâyou be bad, I come to lunch, but please, I have to jump through this window right now? is it OK, can I have just a few secondsââ
Production staff murmured into walkie-talkies, technicians could be seen through the fateful window, waving light meters and checking sound levels outside as Zoyd, breathing steady, silently repeated a mantra that Van Meter, claiming itâd cost him $100, had toward the end of
George R.R. Martin, Gardner Dozois