to her lips, plants a kiss on her fingers, and transfers the kiss to the little boy. As she does every morning.
Isabel continues to the bathroom, unbuttoning her flannel top as she walks, untying the drawstring of the pajama bottoms, which crumple as she releases the knot. She pushes her panties down and steps out of them, leaving a small, tight puddle of cotton on the floor.
The hot shower punishes her tense, tired shoulders. Steam billows in thick bursts, pulled out the bathroom door, spilling into the dressing area, the bedroom. The water fills her ears, drowning out any sounds of the television, of the world. If there’s anything else in her apartment making noise, she can’t hear it.
What exactly is she going to do with this manuscript? She shakes water out of her hair, licks her top lip, shifts her hands, her feet, her weight, standing under the stream, distracted and disarmed, distressed. It all beats down on her, the shower stream and the manuscript and the boy and the past, and the old guilt plus the new guilt, and the new earth-shattering truths, and fear for her career and maybe, now, fear for her life.
She slips into a soft, thick white bathrobe, towel-dries her hair. She sweeps her hand across the steamed-up glass, and examines her tired eyes, bagged and bloodshot, wrinkled at the corners. The bathroom’s high-wattage lighting isn’t doing her any favors this morning. She had long ago become accustomed to not sleeping well, for a variety of reasons. But with each passing year, it has become harder and harder to hide the physical evidence of sleeplessness.
From the other room, she can hear the irrelevant prattle of the so-called news, the piddling dramas of box-office grosses, petty marital indiscretions, celebrity substance abuse. Steam recolonizes the mirror, and she watches big thick drops of condensation streak down from the top beveled edge of the glass, cutting narrow paths of clarity through the fog, thin clear lines in which she can glimpse her reflection …
Something is different, and a jolt of nervous electricity shoots through her, a flash of an image, Hitchcockian terror. Something in that slim clear streak has changed. The light has shifted, there’s now a darkness, a shadow—
But it’s nothing, she sees, just the reflection of the bedroom TV, more footage of yesterday’s international news, today. Today she has to consider the news in a whole new light. Now and forevermore.
She gets dressed, a sleek navy skirt suit over a crisp white blouse, low heels. The type of office attire for someone who wants to look good, without particularly caring about being fashionable. She blow-dries, brushes her shoulder-length blonde hair, applies makeup. Sets contacts into her hazel eyes. She assesses herself—tired-looking, inarguably middle-aged—in the full-length mirror, and sighs, disappointed. Three hours of sleep pushes the limit of what makeup can accomplish.
She stares again at the bottom of The Accident ’s covering page: Author contact
[email protected] . She types another e-mail—she’s already sent two of these, in the past twelve hours. “I finished. How can we talk?” Hits Send. She again receives the frustrating bounce-back message: an unrecognized address.
That doesn’t make any sense. Who would go to the trouble of writing such a manuscript and then not be reachable? So she’ll keep trying, willing herself to believe that it’s some technical problem, something that’ll eventually get resolved. She stares at her laptop, the gradations of gray of the various windows on the screen, the silver frame of the device itself. The little black circle at the top, the pinhole camera, that she never uses, never even considers.
She could burn the manuscript right now, in the fireplace, using the long fancy fireplace matches that her penny-pinching aunt sent as a housewarming. She could pretend she never read the submission, never received it. Forget about it.
Or she could go