of aloes and succulents. The small office is tucked away behind the Ladismith Art Gallery & Nursery in Eland Street.
‘The vetplantjies are flowering,’ I said.
The little fat plants had pink flowers that gleamed silver where they caught the light.
‘They arrived yesterday. There are three of them,’ she said, handing me the letters.
The Gazette office has fresh white walls, Oregon floorboards and a high ceiling. On the outer wall is one of those big round air vents with beautiful patterns that they call ‘Ladismith Eyes’. The office used to be a bedroom in what was one of the original old Ladismith houses. There’s only room for three wooden desks, a sink and a little fridge, but this is enough for Jessie, Hattie and me. There are other freelance journalists from small towns all over the Klein Karoo, but they send their work to Hattie by email.
On the ceiling a big fan was going round and round, but I don’t know if it helped make the room any cooler.
‘Jislaaik,’ I said. ‘You could make rusks without an oven on a day like this.’
I put a tin of freshly baked beskuit on my desk. Jessie looked up from her computer and grinned at me and the rusk tin.
‘Tannie M,’ she said.
Jessie Mostert was the young Gazette journalist. She was a coloured girl who got a bursary to study at Grahamstown and then came back to work in her home town. Her mother was a nursing sister at the Ladismith hospital.
Jessie wore pale jeans, a belt with lots of pouches on it and a black vest. She had thick dark hair tied in a ponytail, and tattoos of geckos on her brown upper arms. Next to the computer on her desk were her scooter helmet and denim jacket. Jessie loved her little red scooter.
Hattie put the letters on my desk, next to the beskuit and the kettle. I worked only part-time and was happy to share my desk with the full-time tea stuff. I put on the kettle, and got some cups from the small sink.
Hattie sat down at her desk and paged through her notes.
‘Jess,’ she said. ‘I need you to cover the NGK church fête on Saturday.’
‘Ag, no, Hattie. Another fête. I’m an investigative journalist, you know.’
‘Ah, yes, the girl with the gecko tattoo.’
‘That’s not funny,’ Jessie said, smiling.
I looked at the three letters sitting on my desk, like unopened presents. I left them there while I made coffee for us all.
‘I want you to take some photos of the new work done by the patchwork group – they will have their own stall at the fête,’ said Hattie.
‘Oh, not the lappiesgroep again. I did a whole feature on them and the Afrikaanse Taal- en Kultuurvereniging last month.’
‘Don’t worry, Jessie darling, I’m sure something interesting will come up,’ said Hattie, scribbling on a pad. I didn’t think she’d seen Jessie rolling her eyes, but then she said: ‘Or else you can always find work on a more exciting paper. In Cape Town maybe.’
‘Ag, no, Hattie, you know I love it here. I just need . . . ’
‘Jessie, I’m truly delighted you decided to stay here. But you are a very bright girl, and sometimes I think this town and paper are too small for you.’
‘I love this town,’ said Jessie. ‘My family and friends are here. I just think there are big stories, even in a small town.’
I put a cup of coffee on each of their desks, and offered the tin of rusks. Hattie never has one before lunch, but Jessie’s eyes sparkled at the sight of the golden crunchy beskuit and she forgot about her argument.
‘Take two,’ I said.
When she reached into the tin it looked like the gecko tattoos were climbing up her arm. I smiled at her. I like a girl with a good appetite.
‘Lekker,’ she said, and her hip burst into song.
Girl on fire! it sang.
‘Sorry,’ she said, opening one of her pouches. ‘That’s my phone.’
The song got louder as she walked towards the doorway and answered it.
‘Hello . . . Reghardt?’
She went out into the garden and her voice became quiet and I