out halfway up the hill if we reach the grove too soon we wait for the song to end and change to another song before turning off the engine to join Aunt and Uncle thinning excess fruit from the trees
Uncle gives me cotton gloves and shows me how to thin clusters of cherry-size mikan that I pick and let drop hard and green they crunch underfoot I learn to leave only five of the best to mature
as Aunt, Uncle, Koichi and I work a row of trees sometimes we talk and Aunt asks about my classes in Japan my classes in New York my home in New York my mother’s business my sister’s love of running even my father’s work in county court but not about you
I know they know about you and I know they know I was one of those labeled at risk referred for further counseling and sessions where time and again I was asked how are you feeling? are you sleeping? what are you thinking? there I tried to talk there counselors listened but here in Kohama no one seems to know how to talk about you including me
I start to grow more used to the work the endless stretch of time in the groves the breezes the sound of fruit dropping the scent of citrus rot underfoot the quiet interrupted by crows but not the constant thoughts of you
I n my middle school homeroom one girl with straight old-fashioned bangs and a skirt too long is an outcast— I know the posture hear comments cruel whispers girls drop things touched by her say they’re polluted
but because of you, Ruth, I take action catch up to walk with her reaching out as school counselors would say letting her know I care trying a random conversation all those things they told us to do
but instead of opening up to me instead of warming to me instead of reaching out in return she pivots and walks away
after that not everyone is so eager to get to know this New Yorker not everyone so hot to try their English I don’t care groups don’t matter so much to me now maybe because I know most atoms aren’t as stable as they seem
every day I watch the clock wait for the bell when I can be excused mount my bike and cycle “home” to drink cold tea snack in secret sneak a listen and join Koichi in the truck blasting the radio as we drive up narrow tracks of steep road high up into the groves to work through rows of trees thinning unneeded fruit
hours of snapping off and dropping fruit snapping off and dropping fruit talking through branches and leaves and during talk and in between talk thinking of you till the five o’clock chimes
thinking should I have said something when I saw you at the mall? should I have sat across from you at lunch in the cafeteria? should I have invited you to be in my group in science or my critique partner in art? thinking should I have when it seemed by the way you held yourself apart that you didn’t care? when it seemed that you didn’t want me or anyone else to go out of our way to have anything to do with you? Except that is for Jake
my legs ache from squatting down for low branches my arms ache from reaching up some days I want to chuck the fruit kick the rot I don’t know why my parents thought this would be good how they could think it would be right to go away be far away from Emi from friends from home
but my mother and most of Kohama seem to agree the solution to any kind of problem of any magnitude is physical labor sore muscles blisters WORK
I n the evenings before she sleeps, Yurie lets me use her computer— laptop on a low table, zabuton cushion for a seat but my evening is early morning east coast U. S. and no one is online at six a.m. or seven or even eight except