closet for eleven months, gathering dust, until Cynthia, the office manager, brings them out the Monday after Thanksgiving. This thought strikes Margaret as unbearably sad. In so many ways, her life is an empty box, prettily wrapped.
But no, she won’t go there. She is due in Wardrobe, something green or red tonight, unfortunately. Both colors wash her out.
When was the last time Christmas meant something? she wonders. She has to harken back twenty-four years, to when the boys were in middle school and Ava was five years old, with her freckles and bobbed haircut, wearing her pinkflannel nightgown with the lace at the collar. Margaret can picture her clear as day, creeping down the stairs of the brownstone, finding Margaret and Kelley passed out on the sofa in front of the dying embers of the fire after drinking too many Golden Dreams. Thankfully, they had put out the presents and remembered to eat the cookies left for Santa. Ava had unhooked her stocking and come to open it in Margaret’s lap,
ooh
ing and
ahh
ing at even the smallest item—the compact, the root beer lip gloss, the lavender socks with polka dots. Margaret inhaled the scent of Ava’s hair and petted her soft cheek; nothing had been more delicious than the feel of her children’s skin. And then, a while later, the boys would trudge down—plaid pajama pants and Yankees T-shirts, mussed hair, deepening voices, smelly feet, the two of them splay legged on the floor, ripping open their gifts while Kelley paged slowly through the David McCullough biography and Margaret excused herself to pour a glass of really good cold champagne and stick the standing rib roast in the oven. Their Jewish neighbors, the Rosenthals, came for dinner every year, and Kelley’s brother, Avery, came up from the Village with his partner, Marcus.
That
had been Christmas.
No one in the newsroom would believe that Margaret Quinn had ever cooked a standing rib roast.
This year, when Margaret finishes with the broadcast at seven thirty p.m. on the twenty-fourth, her driver, Raoul, will take her to Newark, where she will fly first-class to Maui,for five luxurious days in a suite at the Four Seasons. Drake is supposed to fly in and meet her, although he has yet to fully commit, which Margaret, perhaps more than any other woman in the world, understands. (An earthquake in California, another school shooting, an assassination attempt, or a dozen things less serious could instantly quash Margaret’s vacation plans.) Drake is a pediatric brain surgeon at Sloan Kettering, and the thing Margaret likes best about him is how busy he is. It’s a relationship without guilt or expectation; if they both happen to be free, they get together, but if not, no hard feelings. If Drake comes to Maui, they will sleep, have good, fast, goal-oriented sex, and talk about work. Drake likes to drink excellent wine, and he will golf nine holes if Margaret gets off her laptop long enough to go to the spa for her facial and hot-stone massage.
Drake doesn’t mind when Margaret is recognized—which she is, everywhere.
It’s not exactly Christmas, but it’s better than Chinese takeout in her apartment with only Ava’s paper angel for company, which is how she’s spent some holidays in the recent past.
She’s in Wardrobe—green tonight. It’s a silk boatneck sheath dress that she thinks makes her look like Vanna White, but Roger, her stylist, says they have to stay in holiday colors. He passed up a silver beaded cocktail dress because he thought it was too Audrey Hepburn.
Margaret yearns for the silver. She says, “Is there reallysuch a thing as ‘
too
Audrey Hepburn’?” But Roger won’t budge.
She says, “You do know, right, what the Nasty Blogger is going to say about this dress.”
“I have never pandered to the Nasty Blogger before,” Roger says. “And I’m not doing it tonight. You’re wearing the green, my love.”
Margaret sighs. There is a blog written by someone called Queenie229,