ledgers.
The courtship began on 11 January 1955, a Tuesday. Elmer invited Mary Louise to the pictures the following Friday evening. He had no idea what was showing at the Electric, but he considered that didn’t matter. Now and again, perhaps once a year, he and his sisters went to see a film because it had been talked about in the shop. He liked the News best himself, but Rose and Matilda enjoyed something light and musical. He naturally had to tell them he’d invited Mary Louise Dallon. They continued to look displeased, but did not comment.
In the Dallon household the invitation came as a considerable surprise. Mr and Mrs Dallon – a thin, grey pair in their fifties whose appearance was so similar that they might have been twins – recognized all that it implied, and were well aware of the habit among the Quarry men of marrying younger wives. They talked about it in the privacy of their bedroom. Mrs Dallon made a special journey to the town, visited Quarry’s drapery, bought a spool of white thread, and reminded herself of what Elmer looked like by glimpsing him through the panes of the accounting-office window. It might have been worse, she reported to her husband on her return, and later – in their bedroom – they went on talking about the development.
Mary Louise’s older sister, Letty, and her brother James, who was older also, did not react as favourably. James – impetuous, known to be of uncertain temper, and remembered from his schooldays as being a little slow – declared the invitation to be an affront. Elmer Quarry was a man who never laughed and rarely smiled, born to be a draper. Letty – secretly annoyed that her sister had been preferred, not that she’d have set foot in the Electric with Elmer Quarry even if he’d gone down on his knees – warned Mary Louise about what might occur under cover of darkness and advised her to keep handy a safety-pin that could be opened at a moment’s notice. Some of Elmer Quarry’s teeth were false, she declared, a fact she claimed to have culled in the waiting-room of the town’s more reliable dentist, Mr McGreevy.
Mary Louise herself was terrified. When the invitation had come, Elmer Quarry following her out on the street to issue it, she blushed and became so agitated in her speech that she began to stammer. On her bicycle, all the way back to the farmhouse, she kept seeing Elmer Quarry’s square shape, and the balding dome of his head when he’d bent down to pick up the glove she’d dropped. Letty had gone out with a man or two, with Gargan from the Bank of Ireland two years ago, with Billie Lyndon of the radio and electrical shop. She had thought Gargan was going to propose, but unfortunately he got promotion and was moved to Carlow. Billie Lyndon married the younger Hayes girl. Letty had taken to saying she wouldn’t be bothered with that kind of thing any more, but Mary Louise knew it wasn’t true. If Gargan came back for her she’d take him like a shot, and if anyone else who was half possible appeared on the scene she’d start dressing herself up again.
‘What’s showing?’ Letty asked.
‘He didn’t say.’
‘Hmm,’ Letty said.
Beggars couldn’t be choosers, Mr Dallon reflected in the end. To marry either of the girls into the Quarrys would mean you’d breathe more easily, and you’d see the sort of future for the two who were left. Mrs Dallon reached similar conclusions: provided James didn’t marry, the farm would sustain himself and Letty, he working the fields and seeing to the milking, she attending to the fowls. The place was right for two, comfortable enough. Three of them left behind would be noticeable, touched with failure, although no one was to blame; a family growing old together was never a good thing, never a stable thing.
The film was called The Flame and the Flesh and Elmer did not in the least enjoy it. But he bought a carton of Rose’s in the confectioner’s shop next to the Electric, and at least there
Tim Lahaye, Jerry B. Jenkins