The Wrong Goodbye Read Free

approached the camp, I had no reason to assume Collector. I just figured one of Varela's competitors had beaten me to the punch, in which case Varela's massive chestwound made sense – I mean, he had to die of something . But when you take a soul, the body dies. So, then: why the bloodied chest?
      I retreated to the fire, toppling the spit and sending the hunk of now-charred meat into the flames. For the first time, I realized how recently this must've all gone down – the meat, though burned, had yet to cook off the spit, and though the air was hot and thick with moisture, the bodies weren't bloated, and showed no signs of rigor. Whoever'd done this had beaten me by a matter of minutes. Of course, that knowledge didn't help me much – a few minutes was plenty of time for any Collector worth his salt to disappear. I pushed aside all thought of pursuit, instead focusing on my immediate task. I shoved one of the support branches from the spit into the embers until it caught. Then I returned to Varela's body, torch in hand.
      The flame danced in the sudden breeze as I swung the branch at the writhing mass of bugs that blanketed Varela's chest. Reluctantly, they parted, frightened by the fire but unwilling to relinquish their blood meal. As they shifted, I caught a glimpse of something odd – letters, three inches high, carved into the dead man's flesh.
      I lost my patience with the flame and dropped to my knees, scattering the remaining insects with a sweep of my arm. Beneath them was a message, ragged and crusted brown with drying blood:
      
       SAM –
       WE NEED TO TALK.
   YOU KNOW WHERE.
   – D
      
      That bastard, I thought. I should've known.
      I must've spent a half an hour sitting there, marveling at the presumption, the sheer arrogance that pervaded every grisly slice. Eventually, though, I rose and left the camp behind, plunging once more into the jungle – this time heading south. 
      Toward Bogotá. 
      Toward Danny.

2.
     
 
 
    The first time I met Danny Young, I wanted to kill him. I don't mean figuratively, like he was some jackass who rear-ended me at a stoplight when I was late for an appointment. I mean I literally wanted to wrap my hands around his neck and squeeze until his face went purple, his eyes bulged out of their sockets, and that incessantly wagging tongue of his was finally still, so I could sit and sip my drink in peace. Not the kindest of impulses, I'll grant you. But in my defense, I was having one hell of a lousy day.
      It was the fall of '53, and I was in a dingy basement pub in Amsterdam, a few blocks south of De Wallen, where, in the shadow of the Old Church, prostitutes peddled their wares. Ten yards of earth and stone were all that separated the place from the canal beyond, which no doubt contributed to the damp chill that had settled in my weary limbs. Of course, it wasn't the ambience that brought me here so much as their reputation for a heavy hand with the jenever – a local spirit that tastes like gin and turpentine in equal measure. I'd had three of them, maybe four, and still I couldn't stop my hands from shaking. I told myself it was the cold, but I wasn't yet drunk enough to believe it. Not after the job I'd just pulled.
      His name was Arnold Haas. A doll-maker by trade – and from what I'd heard, a damn good one. The way Lily told it, his dolls weren't the type you'd see dragged along the sidewalk by some jam-handed toddler – they were more the fetch-five-figures-atauction sort of deal. Now, you might be wondering why I'd care about a thing like that, but normally, that kind of information is pretty helpful to a Collector. See, there's two kinds of folks who wind up marked for collection: contract kills and freelancers. Contract kills are the ones who went and made themselves a deal with a demon, usually chasing fame or fortune, or maybe love, or lust, or revenge. Most contract kills are decent enough people – they just want