The Wrong Goodbye Read Free Page A

a better hand than they've been dealt. Believe me when I tell you, most times, it ain't worth the price. Freelancers, on the other hand, are a nasty lot. They're the ones whose actions are so heinous, hell won't wait around for them to die. Given the quality of Haas's work, I'd assumed he was the former. 
      I was wrong.
      It was dusk when I'd arrived at Haas's house. Amber streetlights shone against a sky of deepening blue, and reflected off the still waters of the canal that ran parallel to Haas's street. The house itself was an elegant brick row house in the Dutch style, with tall, narrow windows and a gabled roof shingled in slate. The porch light was unlit, and the windows, save for one, were dark. I spent the length of a cigarette watching the house from beneath one of the many bare, skeletal elms that crowded the banks of the canal. Occasionally, a shadow would pass across the face of the one lit window – a bedroom, no doubt, as it was situated in the top-left corner of the house, just beneath the steep pitch of the roof, and three stories above the street on which I stood. 
      Good, I thought – that means he's home.
      The lock was nothing to sneeze at: a thick, meanlooking deadbolt I couldn't have picked in a week. But the door was inlaid with several squares of leaded glass, and those weren't so hard to handle. I wrapped a kerchief around my fist and knocked out the pane nearest the knob. In seconds I was inside. 
      I hesitated a moment, just inside the door, waiting for my eyes to adjust. The house, I realized, was cold – bitterly so. The air was thick with the spicy scent of potpourri, and something else as well, earthy and unpleasant. Beyond the entryway was a tidy living room – a floral couch, draped with lace; two highbacked armchairs, camel-colored and accented at the arms and legs with dark-stained wood; a thick mahogany coffee table, gleaming faintly by the light of the streetlights that trickled in through the sheer white curtains. A small iron fireplace sat unlit in one corner of the room, set into a rose-colored wall. But for that three-foot strip of wall, which stretched from mantle to ceiling, the entire room was lined with shelves – heavy, floor-to-ceiling shelves, stained so dark they appeared black in the dim light, and lined with thousands upon thousands of dolls. Some of them were made of simple cloth, with hair of yarn and button eyes, while others stared at me with eyes of glass, set in faces of ghost-white porcelain. All were resplendent in their Sunday best, an oppressive cacophony of bold prints and elaborate brocades, of chiffon and satin and lace. Their blank, implacable gazes unnerved me as I passed, cutting through the living room to the stairs that lay beyond. 
      I left my shoes at the foot of the stairs, and headed upward in my stockinged feet, as quiet as could be. The staircase walls were graced with floating shelves at irregular intervals. Too small to support whole dolls, these shelves were adorned with delicate porcelain hands and feet and eyeless heads – stark white and unfinished. Something about those empty sockets bothered me, though why, I didn't know. I ignored them and pressed on.
      At the second floor, the staircase turned. The unpleasant odor I'd caught wind of downstairs was stronger here, but I was so focused on finding Haas, I didn't pay it any mind. Through the delicate balusters above, I caught a glimpse of a half-closed door, silhouetted by the light of the room beyond. I headed toward it. The landing floorboards creaked in protest beneath my weight, and I winced. But this Haas was a doll-maker, I told myself, not some hardened criminal – what did I care if he heard me coming? So like an idiot, I threw caution to the wind, taking the stairs two at a time, and sprinting toward the open door. When I reached it, I kicked it inward – and then I froze. Haas wasn't there. But what was there was so fucking awful that for a moment, I