with the adjustment. âWhere you from?â
âLittle Rock.â
âThatâs where Iâm from, too. Whereâd you go?â
Silence. Maybe heâs slow. Didnât understand the question.
âSchool, you know? I went to Pulaski Heights. The Panthers. Rah rah. You?â
âHome.â
âHome? Whatdya mean?â
âHome schooling. I never went to school.â
âYou mean you just stayed at home? Didnât go to school?â
After that he stops talking, even when I prod. When I peek over the edge at the bottom bunk, heâs facing the wall, curled up. Maybe heâs asleep.
Whatever.
I read comics until I hear Boothâs voice calling lights-out and the door, my cell door, swings shut as though pushed by an invisible hand. Thereâs the click that indicates weâre locked down for the night.
I feel more than hear the new kid shift, look around the darkened room, and then settle.
I remember my first night. Hard to forget something like that.
âHey, Jack.â
Silence.
âIt isnât that bad. Okay? Might look bad now. But itâs not.â
Hell, I donât know how to soothe a titty-baby.
More silence. Which skeeves me a little. Why canât the kid react like a normal person, especially when someoneâs trying to help him out?
He might have fallen asleep. Could be. Maybe not.
Hell, I donât know.
I wait, breathing slow. The trick is to make him think from my breathing that Iâm asleep, but to stay awake and not let the deep breathing lull me down into the mattress. Into the pillow.
When Iâm sure Jackâs asleep, I sit up, tilt my head toward the air vent where the wall meets the ceiling, and put my mouth at the grate.
âOx. You there, hoss?â
I hear a little echo, maybe Ox adjusting the vent.
âYeah. I told you not to call me that.â
âWhat? Ox?â
âNaw. Hoss. Itâs like youâre saying Iâm stupid or something.â
âItâs just a turn of phrase, bigun. But fine. Iâll stick to Ox. You know, like a farm animal. That cool? Howâs that for you?â
âShreve, one of these daysâ¦â
âWhat? When you get sick of candy? When you get tired of stuffing chocolate bars down your hole? One of these days what?â
âMan, you donât have to be so uncool.â He pauses. âUncool, man.â
Heâs thicker than a cinder block, but heâs got a point. Heâs a hoss, a farm animal, and I shouldnât whip him so hard.
âListen, Ox.â I like the lug. I do. I like what he does for me. I try to put that into my voice. I hope itâll carry through the vent. âIâm sorry, pard. Look. I scored a load of Heath bars. I know you love that toffee stuff. I got a couple with your name on it.â Thereâs a scratching and then an exhalation of air. Hard to tell if itâs the AC kicking on or if Ox is just mouth-breathing again.
âI like toffee.â
âThatâs good, bro. Real good. Iâll hit you up tomorrow. But I need you to run interference at midday Commons. And work escort right before lights out. Can you handle that? Two Heaths and a couple of Blow Pops?â
Thereâs a gurgle at the other end of the vent. The blockhead is probably drooling on his chest like some Russian dog.
Before Ox can answer thereâs a chuff, and the air kicks on. I lie back on the bed and wait, hands cradled behind my head, working out the deals for tomorrow.
On the inside, some folks donât know what they want. Some folks have to be convinced they want what you got. Some folks have to be convinced they donât want what you got. You have to scare them bad enough that they donât think they can take it from you. Itâs only been six months since I first came here, but now I canât remember if the inside differs from the way it is outside. I doubt it really matters. Iâm on the
Mark Phillips, Cathy O'Brien