wasn’t particularly interested in cultivating a public image. Four years earlier, for example, he had published a biography of Trotsky which had been enthusiastically talked up on Radio 4. An enterprising young television producer had invited him to screen test for a series of programmes about ‘Great Revolutionary Figures’. Gaddis had declined. Why? Because he felt at the time that it would mean spending too long away from his baby daughter, Min, and abandoning his students at UCL. His friends and colleagues had thought it was a missed opportunity. What was the point of being a successful academic in twenty-first-century Britain if you didn’t want to appear on BBC4? Think of the tie-ins, they said. Think of the money . With his crooked good looks, Gaddis would have been a natural for television, but he valued his privacy too much and didn’t want to sideline the career he loved for what he described as ‘the dubious pleasure of seeing my mug on television’. There was stubbornness in the decision, certainly, but Dr Sam Gaddis thought of himself, first and foremost, as a teacher. He believed in the unarguable notion that if a young person is lucky enough to read the right books at the right time in the company of the right teacher, it will change their life for ever.
‘So what do we have with Sergei Platov?’ he began. The manager of Daunts was sure that no more of the thirty seats set out in the bookshop would be filled by curious passers-by and had asked Gaddis to begin. ‘Is he saint or sinner? Is Platov guilty of war crimes in Chechnya, of personally authorizing the murder of journalists critical of his regime, or is he a statesman who has restored the might of Mother Russia, thereby rescuing his country from decadence and corruption?’
The question, as far as Gaddis was concerned, was rhetorical. Platov was a stain on the Russian character, a borderline sociopath who had, in less than ten years, destroyed the possibility of a democratic Russia. A former KGB spy, he had green-lit the murder of Russian civilians on foreign soil, held Eastern European countries to ransom over the supply of gas, and encouraged the murder of journalists and human rights activists brave enough to criticize his regime. One such journalist – Katarina Tikhonov – had been a good friend of Gaddis’s. They had corresponded for over fifteen years and met whenever he visited Moscow. She had been shot in the elevator of her apartment building three years earlier. Not a single suspect had been arrested in connection with the murder, an anomaly which he had exposed in his new book.
He turned to his notes.
‘History tells us that Sergei Platov is a survivor , from a family of survivors.’
‘What do you mean?’ The Hampstead matriarch was sitting in the front row and already asking questions. Gaddis flattered her with a patient smile which had the useful simultaneous effect of making her feel embarrassed for interrupting.
‘What I mean is that his family survived the worst excesses that twentieth-century Russia could throw at them. Platov’s grandfather worked as a chef for Josef Stalin and lived to tell the tale. That in itself is a miracle. His father was one of only four soldiers from a unit of twenty-eight men who survived after they were betrayed to the Germans at Kingisepp in 1941. Sergei Spiridonovich Platov was pursued into the surrounding countryside and only avoided capture by breathing through a hollow reed while submerged in a pond. Sean Connery had the same trick in Dr No .’
Somebody laughed. Traffic hummed on Holland Park Avenue. Sam Gaddis was looking at a sea of nodding, attentive faces.
‘Do you know about the siege of Leningrad?’ he asked. He hadn’t meant to start on that, not tonight, but it was a subject on which he had lectured many times at UCL and the Daunt crowd would go for it. The manager, standing near the door, was bobbing his head in a way that looked enthusiastic.
‘It’s the winter of