said. âMaybe you would rather go to Foyotâs. Why donât you keep the cab and go on?â
I had picked her up because of a vague sentimental idea that it would be nice to eat with someone. It was a long time since I had dined with a
poule,
and I had forgotten how dull it could be. We went into the restaurant, passed Madame Lavigne at the desk and into a little room. Georgette cheered up a little under the food.
âIt isnât bad here,â she said. âIt isnât chic, but the food is all right.â
âBetter than you eat in Liège.â
âBrussels, you mean.â
We had another bottle of wine and Georgette made a joke. She smiled and showed all her bad teeth, and we touched glasses. âYouâre not a bad type,â she said. âItâs a shame youâre sick. We get on well. Whatâs the matter with you, anyway?â
âI got hurt in the war,â I said.
âOh, that dirty war.â
We would probably have gone on and discussed the war and agreed that it was in reality a calamity for civilization, and perhaps would have been better avoided. I was bored enough. Just then from the other room someone called: âBarnes! I say, Barnes! Jacob Barnes!â
âItâs a friend calling me,â I explained, and went out.
There was Braddocks at a big table with a party: Cohn, Frances Clyne, Mrs. Braddocks, several people I did not know.
âYouâre coming to the dance, arenât you?â Braddocks asked.
âWhat dance?â
âWhy, the dancings. Donât you know weâve revived them?â Mrs. Braddocks put in.
âYou must come, Jake. Weâre all going,â Frances said from the end of the table. She was tall and had a smile.
âOf course, heâs coming,â Braddocks said. âCome in and have coffee with us, Barnes.â
âRight.â
âAnd bring your friend,â said Mrs. Braddocks laughing. She was a Canadian and had all their easy social graces.
âThanks, weâll be in,â I said. I went back to the small room.
âWho are your friends?â Georgette asked.
âWriters and artists.â
âThere are lots of those on this side of the river.â
âToo many.â
âI think so. Still, some of them make money.â
âOh, yes.â
We finished the meal and the wine. âCome on,â I said. âWeâre going to have coffee with the others.â
Georgette opened her bag, made a few passes at her face as she looked in the little mirror, re-defined her lips with the lipstick, and straightened her hat.
âGood,â she said.
We went into the room full of people and Braddocks and the men at his table stood up.
âI wish to present my fiancée, Mademoiselle Georgette Leblanc,â I said. Georgette smiled that wonderful smile, and we shook hands all round.
âAre you related to Georgette Leblanc, the singer?â Mrs. Braddocks asked.
âConnais pas,â Georgette answered.
âBut you have the same name,â Mrs. Eraddocks insisted cordially.
âNo,â said Georgette. âNot at all. My name is Hobin.â
âBut Mr. Barnes introduced you as Mademoiselle Georgette Leblanc. Surely he did,â insisted Mrs. Braddocks, who in the excitement of talking French was liable to have no idea what she was saying.
âHeâs a fool,â Georgette said.
âOh, it was a joke, then,â Mrs. Braddocks said.
âYes,â said Georgette. âTo laugh at.â
âDid you hear that, Henry?â Mrs. Braddocks called down the table to Braddocks. âMr. Barnes introduced his fiancée as Mademoiselle Leblanc, and her name is actually Hobin.â
âOf course, darling. Mademoiselle Hobin, Iâve known her for a very long time.â
âOh, Mademoiselle Hobin,â Frances Clyne called, speaking French very rapidly and not seeming so