I advanced toward them. She was on top of him, holding him down.
It was obvious that once they’d seen my film, even the police officers were in awe of this Lucy Brennan. She looked the part with her long, chestnut hair, streaked with honey by the Floridan sun. Thick brows sat over big, piercing, almond-shaped eyes and she had a sharply defined, trapezoidal jawline. In contrast to this Amazonian severity was her dainty snub-nose, which gave her a paradoxical cuteness. She wore a short denim skirt, a white blouse, and white ballet-laced sneakers. One of her knees was skinned, probably due to the way she pinned down the gunman with those sculpted, muscular thighs.
They took us all (me in the same car as the heroine, and the perp and his target in another) back to the station in South Beach. Then they separated me from Lucy Brennan. I was escorted into a stark, gray-walled interview room with just a table, several hard chairs, and skull-splitting fluorescent lights. They put on a tape recorder and asked me all sorts of questions. All I got from them was: Where was I going? Where had I been?
Damned if they didn’t make me feel like I’d done wrong, just for stopping on the bridge and getting out of my car to take in some air!
What can you say? I told them the dull truth; that I felt bad about the email I’d gotten from my mom, messed up by what had gone on with Jerry, frustrated about my work, guilty about the animals, about using their bones. Just pretty darn shitty about everything. I felt a migraine come on so I just stopped for some air, was all. They listened, then a woman cop, the Latina officer who had first been on the scene, asked me once more, — What happened next, Ms. Sorenson?
— It’s on the phone, I told her. I had already forwarded the clip to them.
— We need to hear it in your words too, she explained.
So I went through it again.
Lucy Brennan. She’d told me in the police waiting room that she was a trainer, like a fitness trainer. It made sense; she radiated health, bristling with power and confidence. Her hair, skin, and eyes shone.
And through my fatigue I was burning with excitement, just being around her. Because I felt that somebody like Lucy could help me. But when the police were done with me, giving me a token for my car keys in the downstairs lot (they’d insisted I couldn’t drive my own car back here), I looked for her and hung around, but she was gone. I asked a police officer at the desk if I could get in contact with her. He just fixed me a stern look and said, — That is not a good idea.
I felt like a reprimanded child. So when that news-crew guy talked to me outside, in a civil, proper way, I was happy to let them interview me and I forwarded them the clip of my footage.
So that’s my Morning Pages. I write Kim an email explaining the same thing, but not Mom, as she and Dad worry enough about my being in Miami. After driving home I was exhausted but still exhilarated. So I went to my studio and started sketching. I’m no portrait artist, but I needed to try and capture Lucy’s fantastic golden-brown mane and those searing, vigilant eyes. All I can think about is picking up the phone and calling her.
But where in hell do I start?
3
HERO
COULDN’T SLEEP. DIDN’T even try. As the sun rises I’m stretching out in Flamingo Park, preparing for my early-morning run. I’m not going to let Miles, a Motor Vehicle Accident, some asshole shooting off a gun, or even the entire Miami-Dade Police Department fuck with my routine. So I’m pushing down 11th Street toward Ocean, at an easy 7.5ish mph. Roadworking Latinos hoist fallen palms back upright, supporting them with wooden stays. The rehabilitated trees gratefully swish and wave in the cool breeze.
When I first came down here, a resentful high-school sophomore, I recall Mom’s boyfriend, Lieb, explaining to me that palm roots were shallower than those of most trees, so although they were easily blown over in hurricanes