at intervals; and he thinks he can answer for the faithfulness of the picture he has drawn.
Otsego has now become one of the most populous districts of New York. It sends forth its emigrants like any other old region; and it is pregnant with industry and enterprise. Its manufacturers are prosperous; and it is worthy of remark that one of the most ingenious machines known in European art is derived from the keen ingenuity which is exercised in this remote region.
In order to prevent mistake, it may be well to say that the incidents of this tale are purely a fiction. The literal facts are chiefly connected with the natural and artificial objects and the customs of the inhabitants. Thus, the academy and courthouse and jail and inn, and most similar things, are tolerably exact. They have all, long since, given place to other buildings of a more pretending character. There is also some liberty taken with the truth in the description of the principal dwelling: the real building had no âfirstlyâ and âlastly.â It was of bricks, and not of stone; and its roof exhibited none of the peculiar beauties of the âcomposite order.â It was erected in an age too primitive for that ambitious school of architecture. But the author indulged his recollections freely when he had fairly entered the door. Here all is literal, even to the severed arm of Wolfe and the urn which held the ashes of Queen Dido. 1
The author has elsewhere said that the character of Leatherstocking is a creation, rendered probable by such auxiliaries as were necessary to produce that effect. Had he drawn still more upon fancy, the lovers of fiction would not have so much cause for their objections to his work. Still the picture would not have been in the least true, without some substitutes for most of the other personages. The great proprietor resident on his lands, and giving his name to, instead of receiving it from his estates, as in Europe, is common over the whole of New York. The physician, with his theory, rather obtained than corrected by experiments on the human constitution; the pious, self-denying, laborious, and ill-paid missionary; the half-educated, litigious, envious, and disreputable lawyer, with his counterpoise, a brother of the profession, of better origin and of better character; the shiftless, bargaining, discontented seller of his âbettermentsâ; the plausible carpenter, and most of the others, are more familiar to all who have ever dwelt in a new country.
It may be well to say here, a little more explicitly, that there was no intention to describe with particular accuracy any real characters in this book. It has been often said, and in published statements, that the heroine of this book was drawn after a sister of the writer, who was killed by a fall from a horse now near half a century since. So ingenious is conjecture that a personal resemblance has been discovered between the fictitious character and the deceased relative! It is scarcely possible to describe two females of the same class in life, who would be less alike, personally, than Elizabeth Temple and the sister of the author who met with the deplorable fate mentioned. In a word, they were as unlike in this respect as in history, character, and fortunes.
Circumstances rendered this sister singularly dear to the author. After a lapse of half a century, he is writing this paragraph with a pain that would induce him to cancel it, were it not still more painful to have it believed that one whom he regarded with a reverence that surpassed the love of a brother was converted by him into the heroine of a work of fiction.
From circumstances which after this introduction will be obvious to all, the author has had more pleasure in writing The Pioneers than the book will, probably, ever give any of its readers. He is quite aware of its numerous faults, some of which he has endeavored to repair in this edition; but as he hasâin intention, at