shabby heart and kernel, of the whole affair.
Downstairs, while the men went puffing past with a treadle sewing-machine, she slipped into the drawing-room, just to give herself a quick peek at the cash. She parted the gum of the envelope and – oh, there it all was, so real, so present, so
hers
, she felt she could dip her mouth to it and kiss it. She folded it back into her pocket, then almost skipped across the hall and along the passage to the kitchen.
Her mother was at the stove, lifting the kettle from the hot-plate with the faintly harried air she always had when left alone in the kitchen; she might have been a passenger on a stricken liner who’d just been bundled into the engine room and told to man the gauges. She gave the kettle up to Frances’s steadier hand, and went about gathering the tea-things, the milk-jug, the bowl of sugar. She put three cups and saucers on a tray for the Barbers and Mr Wismuth; and then she hesitated with two more saucers raised. She spoke to Frances in a whisper. ‘Ought we to drink with them, do you think?’
Frances hesitated too. What were the rules?
Oh, who cared! They had got the money now. She plucked the saucers from her mother’s fingers. ‘No, let’s not start that sort of thing off. There’ll be no end to it if we do. We can keep to the drawing-room; they can have their tea up there. I’ll give them a plate of biscuits to go with it.’ She drew the lid from the tin and dipped in her hand.
Once again, however, she dithered. Were biscuits absolutely necessary? She put three on a plate, set the plate beside the teapot – then changed her mind and took it off again.
But then she thought of nice Mrs Barber, going carefully over the polish; she thought of the fancy heels on her stockings; and returned the plate to the tray.
The men went up and down the stairs for another thirty minutes, and for some time after that boxes and cases could be heard being shifted about, furniture was dragged and wheeled, the Barbers called from room to room; once there came a blast of music from their portable gramophone, that made Frances and her mother look at one another, aghast. But Mr Wismuth left at six, tapping at the drawing-room door as he went, wanting to say a polite goodbye; and with his departure the house grew calmer.
It was inescapably not, however, the house that it had been two hours before. Frances and her mother sat with books at the French windows, ready to eke out the last of the daylight – having got used, in the past few years, to making little economies like that. But the room – a long, handsome room, running the depth of the house, divided by double doors which, in spring and summer, they left open – had two of the Barbers’ rooms above it, their bedroom and their kitchen, and Frances, turning pages, found herself aware of the couple overhead, as conscious of their foreign presence as she might have been of a speck in the corner of her eye. For a while they moved about in the bedroom; she could hear drawers being opened and closed. But then one of them entered their kitchen and, after a purposeful pause, there came a curious harsh dropping sound, like the clockwork gulp of a metal monster. One gulp, two gulps, three gulps, four: she stared at the ceiling, baffled, until she realised that they were simply putting shillings in the meter. Water was run after that, and then another odd noise started, a sort of pulse or quick pant – the meter again, presumably, as the gas ran through it. Mrs Barber must be boiling a kettle. Now her husband had joined her. There was conversation, laughter… Frances caught herself thinking, as she might have done of guests, Well, they’re certainly making themselves at home.
Then she took in the implication of the words, and her heart, very slightly, sank.
While she was out in the kitchen assembling a cold Sunday supper, the couple came down, and tapped at the door, first the wife and then the husband: the WC was an
Douglas Stewart, Beatrice Davis