but his mask grew more noble each year. Behind his dark glasses, however rigidly he held his neck, his eyes flickered unobserved, assessing the weaknesses in people. Diagnosis had been his most intoxicating skill as a doctor and after exhibiting it he had often lost interest in his patients, unless something about their suffering intrigued him. Without his dark glasses, he wore an inattentive expression, until he spotted another personâs vulnerability. Then the look in his eyes hardened like a flexed muscle.
He paused at the top of the stairs. His cigar had gone out and he flung it over the wall into the vines below. Opposite him, the ivy that covered the south side of the house was already streaked with red. He admired the colour. It was a gesture of defiance towards decay, like a man spitting in the face of his torturer. He had seen Eleanor hurrying away early in her ridiculous car. He had even seen Yvette trying to steal into the house without drawing attention to herself. Who could blame them?
He knew that his unkindness to Eleanor was effective only if he alternated it with displays of concern and elaborate apologies for his destructive nature, but he had abandoned these variations because his disappointment in her was boundless. He knew that she could not help him unravel the knot of inarticulacy that he carried inside him. Instead, he could feel it tightening, like a promise of suffocation that shadowed every breath he took.
It was absurd; but all summer long he had been obsessed by the memory of a mute cripple he had seen in Athens airport. This man, trying to sell tiny bags of pistachio nuts by tossing printed advertisements into the laps of waiting passengers, had heaved himself forward, stamping the ground with uncontrollable feet, his head lolling and his eyes rolling upwards. Each time David had looked at the manâs mouth twisting silently, like a gasping fish on a river bank, he had felt a kind of vertigo.
David listened to the swishing sound his yellow slippers made as he walked up the last flight of steps to the door that led from the terrace into the drawing room. Yvette had not yet opened the curtains, which saved him the trouble of closing them again. He liked the drawing room to look dim and valuable. A dark red and heavily gilded chair that Eleanorâs American grandmother had prised from an old Venetian family on one of her acquisitive sweeps through Europe gleamed against the opposite wall of the room. He enjoyed the scandal connected with its acquisition and, knowing that it ought to be carefully preserved in a museum, he made a point of sitting on it as often as possible. Sometimes, when he was alone, he sat in the Dogeâs chair, as it was always called, leaning forward on the edge of the seat, his right hand clasping one of the intricately carved arms, striking a pose he remembered from the Illustrated History of England he had been given at prep school. The picture portrayed Henry Vâs superb anger when he was sent a present of tennis balls by the insolent King of France.
David was surrounded by the spoils of Eleanorâs matriarchal American family. Drawings by Guardi and Tiepolo, Piazetta and Novelli hung thickly over the walls. An eighteenth-century French screen, crowded with greyish-brown monkeys and pink roses, divided the long room in half. Partially hidden behind it, from where David stood, was a black Chinese cabinet, its top crowded with neat rows of bottles, and its inner shelves filled with their reinforcements. As he poured himself a drink, David thought about his dead father-in-law, Dudley Craig, a charming, drunken Scotsman who had been dismissed by Eleanorâs mother, Mary, when he became too expensive to keep.
After Dudley Craig, Mary had married Jean de Valençay, feeling that if she was going to keep a man, he might as well be a duke. Eleanor had been brought up in a string of houses where every object seemed to have been owned by a king or an