slam it several times against the wood. The sound echoes down the street: someone must
hear it. I can just make out a dog barking, from somewhere deep inside the building.
I wait five minutes. No one comes.
Shit.
I canât afford a hotel. I donât have enough for a return journey to Londonâand even if I did thereâs no way Iâm going back.
I consider my options. Go to a bar . . . wait it out?
I hear footsteps behind me, ringing out on the cobblestones. Ben? I spin round, ready for him to apologize, tell me he just
popped out to get some ciggies or something. But the figure walking toward me isnât my brother. Heâs too tall, too broad,
a parka hood with a fur rim up over his head. Heâs moving quickly and thereâs something purposeful about his walk. I grip
the handle of my suitcase a little tighter. Literally everything I own is in here.
Heâs only a few meters away now, close enough that by the light of the streetlamp I can make out the gleam of his eyes under the hood. Heâs reaching into his pocket, pulling his hand back out. Something makes me take a step backward. And now I see it. Something sharp and metallic, gleaming in his hand.
Concierge
The Loge
I watch her on the intercom screen, the stranger at the gate. What can she be doing here? She rings the buzzer again. She
must be lost. I know, just from looking at her, that she has no business being here. Except she seems certain that this is
the place she wants, so determined. Now she looks into the lens. I will not let her in. I cannot.
I am the gatekeeper of this building. Sitting here in my loge : a tiny cabin in the corner of the courtyard, which would fit maybe twenty times into the apartments above me. But it is
mine, at least. My private space. My home. Most people wouldnât consider it worthy of the name. If I sit on the pull-down
bed, I can touch nearly all the corners of the room at once. There is damp spreading from the ground and down from the roof
and the windows donât keep out the cold. But there are four walls. There is a place for me to put my photographs with their
echoes of a life once lived, the little relics I have collected and which I hold onto when I feel most alone; the flowers
I pick from the courtyard garden every other morning so there is something fresh and alive in here. This place, for all its
shortcomings, represents security. Without it I have nothing.
I look again at the face on the intercom screen. As the light catches her just so I see a familiarity: the sharp line of the nose and jaw. But more than her appearance it is something about theway she moves, looks around her. A hungry, vulpine quality that reminds me of another. All the more reason not to let her in. I donât like strangers. I donât like change. Change has always been dangerous for me. He proved that: coming here with his questions, his charm. The man who came to live in the third-floor apartment: Benjamin Daniels. After he came here, everything changed.
Jess
Heâs coming straight for me, the guy in the parka. Heâs lifting his arm. The metal of the blade gleams again. Shit.Iâm about to turn and runâget a few yards on him at leastâ
But wait, no, no . . . I can see now that the thing in his hand isnât a blade. Itâs an iPhone, in a metallic case. I let out the breath Iâve
been holding and lean against my bag, hit by a sudden wave of tiredness. Iâve been wired all day, no wonder Iâm spooking at
shadows.
I watch as the guy makes a call. I can make out a tinny little voice at the other end; a womanâs voice, I think. Then he begins
to talk, over her, louder and louder, until heâs shouting into his handset. I have no idea what the words mean exactly but
I donât need to know much French to understand this isnât a polite or friendly chat.
After heâs got his long, angry speech off his