into the stone of the cleftwall.
The surface of that squat, heavy door was a marvel in itself, decorated as it was with a hundred delicate, intricate carvings; with fish and birds and animals, all of them linked by an interwoven pattern of leaves and flowers. This, like much else in the cleft, was his grandmother’s doing, for it there was a clear surface anywhere, she would want to decorate it, as if the whole of creation was her canvas.
Raising his foot, Atrus pushed until it gave, then went inside, into the dark and narrow space. Another year and he would need to crouch beneath the low stone ceiling. Now, however, he crossed the tiny room in three steps; lowering the sack from his shoulder, he slid it onto the broad stone shelf beside two others.
For a moment he stood there, staring at the single, bloodred symbol printed on the sack. Familiar though it was, it was a remarkably elaborate thing of curves and squiggles, and whether it was a word or simply a design he wasn’t sure, yet it had a beauty, an elegance, that he found entrancing. Sometimes it reminded him of the face of some strange, exotic animal, and sometimes he thought he sensed some kind of meaning in it.
Atrus turned, looking up, conscious suddenly of his grandmother waiting by he cleftwall, and chided himself for being so thoughtless. Hurrying now, stopping only to replace his glasses, he padded up the steps and across the swaying bridge, emerging in time to see her unfasten her cloak and, taking a long, pearl-handled knife from the broad leather toolbelt that encircled her waist, lean down and slit open one of the bolts of cloth she’d bought.
“That’s pretty,” he said, standing beside her, adjusting the lenses, then admiring the vivid vermilion and cobalt pattern, seeing how the light seemed to shimmer in the surface of the cloth, as in a pool.
“Yes,” she said, turning to smile at him, returning the knife to its sheath. “It’s silk.”
“Silk?”
In answer she lifted it and held it out to him. “Feel.”
He reached out, surprised by the cool, smooth feel of it.
She was still looking at him, an enigmatic smile on her lips now. “I thought I’d make a hanging for your room. Something to cheer it up.”
He looked back at her, surprised, then bent and lifted one of the remaining sacks onto his shoulder.
As he made his way down and across to the storeroom, he saw the rich pattern of the cloth in his mind and smiled. There was a faint gold thread within the cloth, he realized, recalling how it had felt: soft and smooth, like the underside of a leaf.
Depositing the second sack, he went back. While he was gone, Anna had lifted the two bolts of cloth up onto the lip of the cleftwall, beside the last of the salt and flour sacks. There was also a small green cloth bag of seeds, tied at the mouth with a length of bloodred twine. Of the final sack, the one he’d thought had moved, there was no sign.
He frowned, then looked to his grandmother, but if she understood his look, she didn’t show it.
“Put the seeds in the kitchen,” she said quietly, lifting the bolt of silk onto her shoulder. “We’ll plant them tomorrow. Then come back and help me with the rest of the cloth.”
As he came back from the storeroom, he saw that Anna was waiting from him on the broad stone ledge at the far end of the garden. Even from where he stood he could see how tired she was. Crossing the rope bridge to the main house, he went quickly down the narrow steps that hugged the wall and, keeping carefully to the smooth, protruding rocks that delineated the pool’s western edge, crouched and, taking the metal ladle from its peg, leaned across and dipped it into the still, mirrorlike surface.
Standing again, he went swiftly along the edge, his toes hugging the rock, careful not to spill a drop of precious water, stopping beside the ledge on which Anna sat.
She looked up at him and smiled; a weary, loving smile.
“Thank you,” she said, taking the