These things are now as normal as tea in the afternoon, wind over the sea. Weâve gone from hoping for miracle cures to just hoping the sandwiches are good.
âThese are good,â I say. They are good. Salty and creamy with a nice, crisp snap when you bite into the cucumber.
âI love your nails,â Gracie says, leaning over to inspect my motherâs hands. My mother has kept up her biweekly manicure. âThat color looks so good with your skin tone. Youâve got such pale skin, like a dollâs.â
âI have this woman in Eugene,â my mother says. âSheâs a miracle.â
When weâre finished eating, my mother invites Gracie onto the deck. Gracie stacks some plates and hands them over to me. My mother slides open the door.
âArenât you tired?â I ask her. It sounds like an accusation. Usually, after she sits upright for a while, she has to lie down and use the breathing machine in the bedroom.
âIâm fine, Nina,â she says, putting her hand on Gracieâs back as they step outside.
From the window above the sink, I can see my mother and Gracie. Gracieâs hair blows sideways. My mother stands near the railing. She says something. Gracie laughs and puts her hand on my motherâs shoulder.
Gracie hasnât even glanced at the phone. Doesnât anyone need to know that she just washed up from a foamy sea, that sheâs wearing a dying womanâs blush in a house full of hissing tubes and battered green canisters?
My father sits on the sofa, reading the paper. Pico rests near his legs, Lila near the empty fireplace. I get on the floor and put my head on Lilaâs wiry chest. She lifts her head to glance at me, deeply exhausted, the white hairs around her nose spreading out toward her eyes. Then she puts her heavy head back down.
âWhat do you think the deal is with that Gracie character?â my dad says, putting the paper aside.
âI know,â I say, rolling off the dogâs chest. âWhereâd she come from?â
âIsnât there a play about this?â my father asks. âSheâs going to fool us all into thinking sheâs one of us, then sheâs going to steal the dogs. Or the cars.â
âOr something,â I say. âMom seems to like her.â
âYeah,â he says, gazing at the lamp in the corner of the room. âShe does, doesnât she?â
When my mother likes something, my father is amazed. Heâll buy raspberry soda and sheâll slink off to finish the bottle and heâll come into my room to report that she liked it! She liked it!
But maybe this is the right way to deal with the dying: She likes cream puffs? Weâll bring her cream puffs. She wants to yell at us for renting another movie with a dying woman in it (it didnât say it on the box, we checked!), then yell away! Itâs her world; weâre just hanging around, trying to keep it turning.
My father puts the newspaper down. Pico stares at him, his eyes little machines of want.
âPicoâs so passionate,â my father says, looking back at the dog. âI love Pico.â
The glass door opens. My mother slowly moves over the threshold, Gracie behind her.
âIâm going to take the dogs out,â my father says.
âIâm going to lie down for a bit,â my mother says, making her way down the hallway. I follow her and shut the door. She sits on her big turquoise bed.
âCan you hook up the bipap?â she says, lifting the mask. Once she straps that monster on, sheâll be unable to talk.
âHow are you?â I ask. She hates being asked this. Sheâs told me this over and over again. âIâm peachy keen!â sheâll say. âNever better! Why? Do I look sick?â
âFine,â she says. âTired.â
âThe sandwiches were good,â I say. She fiddles with the dial of the bipap machine. âSo