whatâs the deal with Gracie?â I ask. My mother looks up at me, surprised. Her eyebrows are thin from the drugs and when she raises them, they get lost in the flesh of her forehead.
âSheâs a lovely girl,â my mother says. âShe grew up in Wisconsin. Her fatherâs an orthodontist.â
âSo howâd she wind up here?â I ask.
My mother shrugs. âSwitch the tubes for me.â And in a fast pull-strap motion, sheâs got the mask secured. The little motor in the gray box begins to sing. I go to the compressor and pull the tubing in.
The house is silent. My grandmotherâs oil paintings of forests and sunsets line the stairwell to my bedroom.
âOh!â says Gracie, putting down the porcelain box that sits by my bed. âI didnât hear you.â
She looks guilty. My dadâs right. Weâll turn around to get the milk out of the fridge and off sheâll go with the checkbooks, the credit cards, my motherâs wedding ring.
âI was looking for my bracelet,â she says.
âWell. Itâs not here,â I say. âMaybe check the bathroom.â
âYeah, good idea.â Gracie fidgets and begins to smooth the bedspread with the side of her hand. When she finishes that, she studies her fingers as if a secret scroll might be hidden in her nail bed. âYour momâs great,â she says. âSuch a fighter.â
âThanks,â I say.
âMy momâs dead,â she says. Her eyes transform, full of tears.
âIâm sorry,â I say, but it comes out made of rocks. Sheâs wearing my earrings.
Gracie follows my gaze. Her hands fly to her ears.
âIâm sorry,â she says, wincing. âI was just trying them onâtheyâre very pretty.â
âHard to resist,â I say. âMaybe itâs not a good idea for you to stay here. Can we get you a room in town for the night?â
Gracie crumples sideways onto the bed. Sheâs a real faucet now, getting mascara on my pale yellow pillows. I struggle to think of what words to toss in the silence that will open up between us, but Iâm saved when she begins an energetic round of sobs. She sounds like a goose.
I feel my body go still. I donât care about Gracie, why sheâs here, what she wants. And I donât care about her mother. âHowâd she die?â I ask. Gracie struggles to calm. She swipes at her nose and takes a big, slobbery breath. âShe drowned,â she says. âShe left my father in Madison and was living in some womenâs colony near Junction City and something happened, I guess she went skinny-dipping in the river.â She reaches over for a tissueâall our rooms have boxes of tissues now. Aside from a little snot and a smear of black beneath her eyes, she still looks good, like sheâs made out of velvet or suede, not skin. The salt from her tears makes her eyes an even more outlandish shade of green.
âThey never found the body?â I ask. This is one of my fantasies, that weâll wake up one day and my mother will have vanished. Thereâll be no body, no clues. And instead of being nowhere, sheâll be everywhere, in everything.
âNo, it washed up downriver near a farm,â Gracie says. âThe police called us.â
Everyone dies, Iâm tempted to tell her. Itâs all part of lifeâs mysterious cycle. She takes another tissue.
âThereâs whiskey upstairs,â I tell her.
Both of us walk slowly, our bare feet soft on the wood. I pour two shots in the tall glasses.
âIce?â I ask.
âNo, neat,â she says, holding out her hand.
I pluck the list of donation possibilities from beneath the fruit bowl, where it seems to have landed permanently, gathering smudges and grease stains. All over the margins, my fatherâs boxy writing lists numbers, organizations, people whoâd help administer grants. I fold it in