donât you?â
She said nothing, afraid to speak, afraid that she would try to speak and discover she had no voice.
âI wonât harm you,â he murmured, his lips touching her ear.
Her eyes fell on his gun, still in his right hand. It looked angry and dangerous, and it was resting against her thigh.
âWe all have our armor,â he whispered, and hemoved, shifted, really, and suddenly his free hand was at her chin. One finger lightly traced her lips, and then he leaned down and kissed her.
Grace stared in shock as he pulled back, smiling gently down at her.
âThat was far too short,â he said. âPity.â He stepped back, took her hand, and brushed another kiss on her knuckles. âAnother time, perhaps,â he murmured.
But he did not let go of her hand. Even as the dowager emerged from the carriage, he kept her fingers in his, his thumb rubbing lightly across her skin.
She was being seduced. She could barely thinkâshe could barely breathe âbut this, she knew. In a few minutes they would part ways, and he would have done nothing more than kiss her, and she would be forever changed.
The dowager stepped in front of them, and if she cared that the highwayman was caressing her companion, she did not speak of it. Instead, she held forth a small object. âPlease,â she implored him. âTake this.â
He released Graceâs hand, his fingers trailing reluctantly across her skin. As he reached out, Grace realized that the dowager was holding a miniature painting. It was of her long-dead second son.
Grace knew that miniature. The dowager carried it with her everywhere.
âDo you know this man?â the dowager whispered.
The highwayman looked at the tiny painting and shook his head.
âLook closer.â
But he just shook his head again, trying to return it to the dowager.
âMight be worth something,â one of his companions said.
He shook his head and gazed intently at the dowagerâs face. âIt will never be as valuable to me as it is to you.â
âNo!â the dowager cried out, and she shoved the miniature toward him. âLook! I beg of you, look ! His eyes. His chin. His mouth. They are yours .â
Grace sucked in her breath.
âI am sorry,â the highwayman said gently. âYou are mistaken.â
But she would not be dissuaded. âHis voice is your voice,â she insisted. âYour tone, your humor. I know it. I know it as I know how to breathe. He was my son. My son .â
âMaâam,â Grace interceded, placing a motherly arm around her. The dowager would not normally have allowed such an intimacy, but there was nothing normal about the dowager this evening. âMaâam, it is dark. He is wearing a mask. It cannot be he.â
âOf course itâs not he,â she snapped, pushing Grace violently away. She rushed forward, and Grace nearly fell with terror as every man steadied his weapon.
âDonât hurt her!â she cried out, but her plea was unnecessary. The dowager had already grabbed the highwaymanâs free hand and was clutching it as if he was her only means of salvation.
âThis is my son,â she said, her trembling fingers holding forth the miniature. âHis name was John Cavendish, and he died twenty-nine years ago. He had brown hair, and blue eyes, and a birthmark on his shoulder.â She swallowed convulsively, and her voicefell to a whisper. âHe adored music, and he could not eat strawberries. And he couldâ¦he couldâ¦â
The dowagerâs voice broke, but no one spoke. The air was thick and tense with silence, every eye on the old woman until she finally got out, her voice barely a whisper, âHe could make anyone laugh.â
And then, in an acknowledgment Grace could never have imagined, the dowager turned to her and added, âEven me.â
The moment stood suspended in time, pure, silent, and heavy. No one