lines appeared the
following morning, that information was no longer correct. In fact, while leafing
through Jeunetâs passport, Maigret had noticed an interesting detail: on the
sixth page, in the column listing
age
,
height
,
hair
,
forehead
,
eyebrows
and so on for the bearerâs
description, the word
forehead
appeared before
hair
instead of
after it.
It so happened that six months earlier,
the Paris Sûreté had discovered in Saint-Ouen a veritable factory for fake
passports, military records, foreign residence permits and other official documents,
a certain number of which they had seized. The counterfeiters themselves had
admitted, however, that hundreds of their forgeries had been in circulation for
several years and that, because they had kept no records, they could not provide a
list of their customers.
The passport proved that Louis Jeunet
had been one of them, which meant that his name was not Louis Jeunet.
And so, the single more or less solid
fact in this inquiry had melted away. The man who had killed himself that night was
now a complete unknown.
Having been
granted all the authorization he needed, at nine oâclock the next morning
Maigret arrived at the morgue, which the general public was free to visit after it
opened its doors for the day.
He searched in vain for a dark corner
from which to keep watch, although he really didnât expect much in the way of
results. The morgue was a modern building, like most of the city and all its public
buildings, and it was even more sinister than the ancient morgue in Quai de
lâHorloge, in Paris. More sinister precisely because of its sharp, clean lines
and perspectives, the uniform white of the walls, which reflected a harsh light, and
the refrigeration units as shiny as machines in a power station. The place looked
like a model factory: one where the raw material was human bodies.
The man who had called himself Louis
Jeunet was there, less disfigured than might have been expected, because specialists
had partially reconstructed his face. There were also a young woman and a drowned
fellow whoâd been fished from the harbour.
Brimming with health and tightly
buttoned into his spotless uniform, the guard looked like a museum attendant.
In the space of an hour, surprisingly
enough, some thirty people passed through the viewing hall. When one woman asked to
see a body that was not on display, electric bells rang and numbers were barked into
a telephone.
In an area on the first floor, one of
the drawers in a vast cabinet filling an entire wall glided out into a freight lift,
and a few moments later a steel box emerged on the ground floor just as books in
some libraries are delivered to reading rooms.
It was the body that had been requested.
The woman
bent over it â and was led away,
sobbing, to an office at the far end of the hall, where a young clerk took down her
statement.
Few people took any interest in Louis
Jeunet. Shortly after ten oâclock, however, a smartly attired man arrived in a
private car, entered the hall, looked around for the suicide and examined him
carefully.
Maigret was not far away. He drew closer
and, after studying the visitor, decided that he didnât look German.
As soon as this visitor noticed Maigret
approaching, moreover, he started uneasily, and must have come to the same
conclusion as Maigret had about him.
âAre you French?â he asked
bluntly.
âYes. You, too?â
âActually, Iâm Belgian, but
Iâve been living in Bremen for a few years now.â
âAnd you knew a man named
Jeunet?â
âNo! I â¦Â I read in this
morningâs paper that a Frenchman had committed suicide in Bremen â¦Â I
lived in Paris for a long time â¦Â and I felt curious enough to come and
take a look.â
Maigret was completely calm, as he
always was in