arriving.â
âJacopo,â the old man said simply before taking a sip from his coffee cup. âHe is not well known unless you are from this town, or study the period as the distinguished panelists at this seminar do.â Rick noticed Gaddiâs emphasis on the word distinguished . âLike any specialty, it can be arcane for the average person, even an educated person. But that is what we academics do. Most people have the idea that professors are there to make a subject understandable to their students, but they could not be more mistaken. A successful academic must make his specialty as abstruse and incomprehensible as possible, so that his expertise generates awe and sells textbooks. And he gets invited to seminars. But perhaps I have become too cynical in my later years. You have spent some time at the university, Riccardo?â
âA laurea and masters in languages, in America.â
âOf course, that would make sense for your profession.â
Rickâs eggs and bacon arrived, their aroma reminding him how hungry he was. The professor wished him a buon appetito and topped off his own coffee cup from the pitcher on the table.
âI was fascinated,â said Rick between bites, âby the exchange yesterday between Tibaldi and Professor Fortuna about those two missing Jacopo Bassano paintings. It got quite heated.â
Gaddi, a frown spreading over his face, watched Rick butter his toast. After a deep breath he spoke. âThe subject appears to be a painful one for our host, since he wants his museum to be the principal repository of Jacopoâs work. But of course Fortuna knew that and used it to make the poor man uncomfortable. Despite that, I found it surprising that Tibaldi lashed out, albeit briefly.â
âMy guess is that Fortuna would not win a popularity contest among the participants.â Rick noticed that the topic was clearly making the older man uncomfortable. âYou are returning home today, Professor?â
âNot yet, I have some personal matters to deal with in Bassano.â He glanced at the table where the Milanese art dealer and the museum curator were still talking. âAnd there is some research on Jacopo I wanted to do in the museum archives. For a monograph Iâm working on. I should be able to do everything today and leave early tomorrow.â
âSeveral other participants have opted to stay on past the seminar. But Muller is driving home this afternoon, I believe, and Oglesby may be flying back to London. Professor Randolph told me at the dinner last night heâll be staying on for a few days.â
âWhich is understandable,â said Gaddi, âcoming all the way from America. Randolph mentioned something about his fiancée joining him for a bit of a holiday.â
âThat must be why he was in such a good mood at the dinner. I thought it was the wine.â Rick glanced around the room. âAnd Fortuna?â
âPerhaps he skulked off under the cover of darkness.â He looked at Rickâs empty plate. â Ha mangiato volentieri? â
âIt was just what I needed to face the morning, Professor.â
The older man rose from his chair. âIf youâll excuse me, Riccardo, I must also face the morning. If I donât see you before you depart, it was a pleasure.â He held out his hand.
Rick got to his feet and found that the handshake was firm despite the manâs bony fingers. He watched Gaddi walk with short steps out of the dining room, thinking about the manâs negative reaction to a mention of the missing paintings. All it had done for Rick was add to his curiosity about them. Possibly the only one of the seminar experts who would talk to him about the lost Jacopos would be Fortuna, and Rick had no desire to ask his opinion. A pompous speech would be all heâd get from the man, and heâd had to translate enough of them during the seminar. He poured himself a