ladder?” she asked now, propping her hands on her hips as she regarded Tricia. “I promised Conner I’d keep an eye on you, and the minute I turn my back, you’re teetering on the top rung.”
Tricia dusted her hands together and smiled, stepping back a little way to look up at the batik. “I was nowhere near the top rung,” she argued cheerfully, her face glowing in the sunlight pouring in through the big front window. She sighed. “Isn’t she beautiful?”
Carolyn, following Tricia’s gaze, nodded. Primrose Sullivan, the artist, had outdone herself this time. The weaver was indeed beautiful. “I think some of our online customers would be interested,” she mused. “I’m not sure it would photograph all that well from this angle, though—”
The hydraulic squeal of brakes interrupted.
Tricia moved to the window and peered through the antique lace curtains. “It’s another tour bus,” she said. “Brace yourself.”
The business, a combination boutique and art gallery, filled the first floor of Natty McCall’s venerable Victorian house—Carolyn lived upstairs in Tricia’s former apartment, along with her foster cat, Winston. The items the two women sold ranged from goats’ milk soap and handmade pincushions to one-of-a-kind dresses and near museum-quality oil paintings.
“I’m braced,” Carolyn confirmed, smiling and taking her customary place behind the counter, next to the cash register.
Tricia straightened an already straight display of handmade stationery.
The shop wasn’t going to make anyone rich, but for Carolyn, it was a dream come true. In Lonesome Bend, she had a comfortable place to live—not a small thing to a person raised in no fewer than fourteen foster homes—and an outlet for the various garments, decorative pillows and retro-style aprons she was constantly running up on her sewing machine. Formerly a professional house sitter, Carolyn had been selling her designs online for years. Her online business brought in enough extra money to build a small savings account and buy thread and fabric for the next project she had in mind, but that was the extent of it.
The little bell over the front door jingled merrily, and the busload of customers crowded in, white-haired women with good manicures and colorful summer clothes, chatting good-naturedly among themselves as they thronged around every table and in front of every shelf.
The store, loftily titled Creed and Simmons—Tricia’s great-grandmother, Natty, said the name sounded more like a law firm or an English jewelry shop than what it was—barely broke even most of the time. Tour buses heading to and from Denver and Aspen and Telluride stopped at least twice a week, though, and that kept the doors open and the lights on.
For Tricia, having sold property inherited from her father for a tidy sum and then having married a wealthy rancher to boot, the place was a hobby, albeit one she was passionate about.
For Carolyn, it was much more—an extension of her personality, an identity. A way of belonging, of fitting into a community made up mostly of people who had known each other from birth. It
had to work.
Without the business, Carolyn would be adrift again, following the old pattern of living in someone else’s house for a few days or a few weeks, then moving on to yet another place that wasn’t hers. House-sitting was a grown-up version of that old game musical chairs, only the stakes were a lot higher. Once or twice, when the figurative music stopped unexpectedly, Carolyn had been caught between houses, like a player left with no chair to sit in, forced to hole up in some cheap motel or sleep in her car until another job turned up.
Thankfully, there were plenty of opportunities around Lonesome Bend—movie stars and CEOs and highpowered political types kept multimillion-dollar “vacation homes” hidden away in private canyons, on top of hills and at the ends of long, winding roads edged with whispering aspen