plate with my thumb as she pulls a wheel of cheese from the refrigerator and cuts a pie-shaped slice and hands it to me. I slather the bread with a quarter inch of the sticky spread. I close my eyes and bite.
Yeast and whole wheat flour mingle in my mouth with something sweet, heavy, and slightly bitterânot honey, but pretty good. The old woman looks over at me.
âMolasses,â she says. âEver had it before?â
I shake my head.
âOnly one way to eat homemade breadâsmothered in molasses.â She dips her finger in the jar and scoops out a lump of molasses and plunks it in her mouth.
I check the cheese for mold and place a sliver on my tongue. A sharp, dry taste fills my mouth, much better than Velveeta.
She pours two cups of tea and sits one down beside me. She slurps at hers like a child eating soup. I watch her and then, daring myself, take a slow sip. The tea tastes the way it smells, very close to root beer.
âThatâs sassafras,â she says. âItâs good for you.â
Itâs not coffee, though, I think. Agatha stops talking and we eat in silence. As dusk comes and the temperature drops, she drags two rocking chairs over to the fireplace and lights a fire. She sits down and watches the flames. I think about my mother and try to rock my anger out.
15
She has no toilet.
How can anyone have no toilet? Is it legal to have no toilet?
âI turned the pipes off,â Agatha says. âI canât afford no plumber.â
In the backyard, behind a chicken coop with several clucking chickens, sits an outhouse surrounded by a thicket of weedy lilacs. It has a plank door and a window that faces east. It tips to the left.
âThis is my old girl, Esther. Sheâs near a hundred, you know. Imagine her tippinâ over with me sittinâ inside. Now that would be a sight, wouldnât it? So I treat her real nice, give her a name and everything, so she holds herself up proper.â
She laughs at the way Iâm looking at her. âNever used an outhouse before?â
I shake my head.
âThe only problem is late at night when itâs real cold and you want to get out there and back in bed real quick. Other than that, itâs pretty good. Lots of fresh air, anyway.â
I canât imagine why anyone would want a window in an outhouse. Anyone could peek in. And worse, I see as soon as Agatha opens the door, are the two seats, side by side. Who would want company in there?
At least she has a roll of toilet paper on the wall. It sits under a narrow strip of golden flypaper, nearly covered with a pepper shaking of dead flies.
16
As night falls, something cries out from under the refrigerator.
âDonât be worryinâ none,â she says when I jump up from my rocking chair. âThat be the cricket. Keep you up at night, I âspect, if youâre not used to hearinâ critters.â
She walks over to the refrigerator and kneels down. âI ainât figured how it knows when itâs dark. Crickets chirp at night. It must be dark all the time under that icebox, but he knows just when night comes because thatâs when he starts singinâ for me. Quite amazinâ, if you ask me.â
She laughs and stands up and refills our tea.
âAny c-c-coffee?â I ask.
âNever drink the stuff,â she says, sitting back in the rocker. I bring my tea back to my chair and listen to the cricket and the sounds of our rocking.
Mostly, I want my mother. I want to run after the boyfriendâs car and tell her Iâd be no trouble in Vegas, no trouble at all. The boyfriend wouldnât even know I was there. I picture myself running after them. Iâm so close, Iâm reaching out to my mother. But she is looking away.
17
Agatha hoists the window open in the tiny room that is to be my bedroom. A hole stretches across a quarter of the screen.
A full moon rises and I can see a slight outline of the mountain