those buns in the record when they arrived a couple of days ago. They were already subpar then, most of them showing mold. But we canât afford to throw away any food. That half bun is all the beggars will get until nightfall unless someone is kind enough to share from their own rations. The scene makes my stomach turn, and I avert my gaze from them as we walk toward the central stage where workers are already removing yesterdayâs record.
A flash of bright color catches my eye, and I see a blue rock thrush land on the branch of a tree near the clearing. Much like Elder Chenâs silk trim, that brilliance draws me in. As Iâm admiring the sheen of the birdâs azure feathers, he opens his mouth for a few seconds and then looks around expectantly. Not long after that, a duller female flies in and lands near him. I stare in wonder, trying to understand what just took place. How did he draw her to him? What could he have done that conveyed so much, even though she hadnât seen him? I know from reading that something happened when he opened his mouth, that he âsangâ to her and somehow brought her, even though she wasnât nearby.
A nudge at my shoulder tells me itâs time to stop daydreaming.Our group has reached the dais in the villageâs center, and most of the villagers have gathered to see our work. We climb the steps to the platform and hang our paintings. Weâve done this many times, and everyone knows their roles. What was a series of illustrations and calligraphy in the workshop now fits together as one coherent mural, presenting a thorough depiction of all that happened in the village yesterday to those gathered below. When Iâve hung my radishes, I shuffle back down with the other apprentices and watch the faces of the rest of the crowd as they read the record. I see furrowed brows and dark glances as they take in the latest reports of blindness and hunger. The radishes are no consolation. The art might be perfect, but itâs lost on my people in its bearing of such dreary news.
Some of them make the sign against evil, a gesture meant to chase away bad luck. It seems ineffectual to me, but the miners are extremely superstitious. They believe lost spirits roam the village at midnight, that the mist surrounding our mountain is the breath of the gods. One of their most popular stories is that our ancestors lost their hearing when magical creatures called pixius went into a deep slumber and wanted silence on the mountain. I grew up believing those tales too, but my education in the Peacock Court has given me a more practical view of the world.
Slowly, the miners and suppliers turn from the record and begin the treks to their jobs. Elder Chen signs to us apprentices:
Go to your posts. Remember, observe. Donât interfere.
I start to follow the others, and then I catch sight of Elder Lian taking the steps back up to the dais where the record isdisplayed. She seems to be examining the work all over again, painstakingly studying each character. Such scrutiny isnât part of the normal routine. The other apprentices have left, but I canât move, not until I know what sheâs doing.
She stands there a little longer, and when she finally turns away, her gaze meets mine. A moment later, her eyes fall on something behind me. I turn around and see Zhang Jing is standing there, hands clenched together nervously. Elder Lian descends the stairs.
Go to your posts
, she signs. The silk thread that edges her robe is red, and it flashes in the light as she walks past.
Swallowing, I take Zhang Jingâs elbow and steer her away from the villageâs center, away from the blind beggars. Most of them are old and former miners, I remind myself. She isnât like them. She isnât like them at all. I squeeze her hand as we walk.
She will get better
, I tell myself.
I will not let her become one of them.
I repeat the words over and over in my mind as we move past