visits of Frith to the lighthouse. Rhayader learned all over again the meaning of the word "loneliness." That summer, out of his memory, he painted a picture of a slender, grime-covered child, her fair hair blown by a November storm, who bore in her arms a wounded white bird.
In mid-October the miracle occurred. Rhayader was in his enclosure, feeding his birds. A gray northeast wind was blowing and the land was sighing beneath the incoming tide. Above the sea and the wind noises he heard a clear, high note. He turned his eyes upward to the evening sky in time to see first an infinite speck, then a black-and-white-pinioned dream that circled the lighthouse once, and finally a reality that dropped to earth in the pen and came waddling forward importantly to be fed, as though she had never been away. It was the snow goose. There was no mistaking her. Tears of joy came to Rhayader's eyes. Where had she been? Surely not home to Canada. No, she must have summered in Greenland or Spitsbergen with the pink-feet. She had remembered and had returned.
When next Rhayader went in to Chelmbury for supplies, he left a message with the postmistress —one that must have caused her much bewilderment. He said: "Tell Frith, who lives with the fisherfolk at Wickaeldroth, that the Lost Princess has returned."
Three days later, Frith, taller, still tousled and unkempt, came shyly to the lighthouse to visit La Princesse Perdue.
Time passed. On the Great Marsh it was marked by the height of the tides, the slow march of the seasons, the passage of the birds, and, for Rhayader, by the arrival and departure of the snow goose.
The world outside boiled and seethed and rumbled with the eruption that was soon to break forth and come close to marking its destruction. But not yet did it touch upon Rhayader, or, for that matter, Frith. They had fallen into a curious, natural rhythm, even as the child grew older. When the snow goose was at the lighthouse, then she came, too, to visit and learn many things from Rhayader. They sailed together in his speedy boat, that he handled so skillfully. They caught wildfowl for the ever increasing colony, and built new pens and enclosures for them. From him she learned the lore of every wild bird, from gull to gyrfalcon, that flew the marshes. She cooked for him sometimes, and even learned to mix his paints.
But when the snow goose returned to its summer home, it was as though some kind of bar was up between them, and she did not come to the lighthouse. One year the bird did not return, and Rhayader was heartbroken. All things seemed to have ended for him. He painted furiously through the winter and the next summer, and never once saw the child. But in the fall the familiar cry once more rang from the sky, and the huge white bird, now at its full growth, dropped from the skies as mysteriously as it had departed. Joyously, Rhayader sailed his boat into Chelmbury and left his message with the postmistress.
Curiously, it was more than a month after he had left the message before Frith reappeared at the lighthouse, and Rhayader, with a shock, realized that she was a child no longer.
After the year in which the bird had remained away, its periods of absence grew shorter and shorter. It had grown so tame that it followed Rhayader about and even came into the studio while he was working.
In the spring of 1940 the birds migrated early from the Great Marsh. The world was on fire. The whine and roar of the bombers and the thudding explosions frightened them. The first day of May, Frith and Rhayader stood shoulder to shoulder on the sea wall and watched the last of the unpinioned pink-feet and barnacle geese rise from their sanctuary; she, tall, slender, free as air, and hauntingly beautiful; he, dark, grotesque, his massive bearded head raised to the sky, his glowing dark eyes watching the geese form their flight tracery.
"Look, Philip," Frith said.
Rhayader followed her eyes. The snow goose had taken
Tim Lahaye, Jerry B. Jenkins