sanitary needs and answer critical business calls. But the sandkings did not war. He was getting upset.
Finally, he stopped feeding them.
Two days after the table scraps had ceased to fall from their desert sky, four black mobiles surrounded an orange and dragged it back to their maw. They maimed it first, ripping off its mandibles and antennae and limbs, and carried it through the shadowed main gate of their miniature castle. It never emerged. Within an hour, more than forty orange mobiles marched across the sand and attacked the blacks’ corner. They were outnumbered by the blacks that came rushing up from the depths. When the fighting was over, the attackers had been slaughtered. The dead and dying were taken down to feed the black maw.
Kress, delighted, congratulated himself on his genius.
When he put food into the tank the following day, a three-cornered battle broke out over its possession. The whites were the big winners.
After that, war followed war.
* * * *
Almost a month to the day after Jala Wo had delivered the sandkings, Kress turned on the holographic projector, and his face materialized in the tank. It turned, slowly, around and around, so his gaze fell on all four castles equally. Kress thought it rather a good likeness—it had his impish grin, wide mouth, full cheeks. His blue eyes sparkled, his gray hair was carefully arrayed in a fashionable sidesweep, his eyebrows were thin and sophisticated.
Soon enough, the sandkings set to work. Kress fed them lavishly while his image beamed down at them from their sky. Temporarily, the wars stopped. All activity was directed towards worship.
His face emerged on the castle walls.
At first all four carvings looked alike to him, but as the work continued and Kress studied the reproductions, he began to detect subtle differences in technique and execution. The reds were the most creative, using tiny flakes of slate to put the gray in his hair. The white idol seemed young and mischievous to him, while the face shaped by the blacks—although virtually the same, line for line—struck him as wise and beneficent. The orange sandkings, as ever, were last and least. The wars had not gone well for them, and their castle was sad compared to the others. The image they carved was crude and cartoonish, and they seemed to intend to leave it that way. When they stopped work on the face, Kress grew quite piqued with them, but there was really nothing he could do.
When all the sandkings had finished their Kress-faces, he turned off the holograph and decided that it was time to have a party. His friends would be impressed. He could even stage a war for them, he thought. Humming happily to himself, he began to draw up a guest list.
* * * *
The party was a wild success.
Kress invited thirty people: a handful of close friends who shared his amusements, a few former lovers, and a collection of business and social rivals who could not afford to ignore his summons. He knew some of them would be discomfited and even offended by his sandkings. He counted on it. Simon Kress customarily considered his parties a failure unless at least one guest walked out in high dudgeon.
On impulse he added Jala Wo's name to his list. “Bring Shade if you like,” he added when dictating her invitation.
Her acceptance surprised him just a bit. “Shade, alas, will be unable to attend. He does not go to social functions,” Wo added. “As for myself, I look forward to the chance to see how your sandkings are doing."
Kress ordered them up a sumptuous meal. And when at last the conversation had died down, and most of his guests had gotten silly on wine and joy-sticks, he shocked them by personally scraping their table leavings into a large bowl. “Come, all of you,” he told them. “I want to introduce you to my newest pets.” Carrying the bowl, he conducted them into his living room.
The sandkings lived up to his fondest expectations. He had starved them for two days in preparation, and