Sabbath’s Theater Read Free

much she had liked it no less than he liked hearing about it. Husbands, after weekending at the inn with their wives and children, phoned Drenka secretly from their offices to tell her they had to see her. The excavator, the carpenter, the electrician, the painter, all the laborers assisting around the inn invariably maneuvered to eat their lunches close to the office where she did the bookkeeping. Men wherever she went sensed the intangible aura of invitation. Once Sabbath had sanctioned for her the force that wants more and more—a force to whose urging she was never wholly averse even before Sabbath had come along—men began to understand that this shortish, less than startling-looking middle-aged woman corseted by all her smiling courtesy was powered by a carnality much like their own. Inside this woman was someone who thought like a man. And the man she thought like was Sabbath. She was, as she put it, his sidekicker.
    How could he, in good conscience, say no to the five hundred bucks? No was not a part of the deal. To be what she had learned to want to be (to be what he needed her to be), what she needed from Sabbath was yes. Never mind that she used the money to buy power tools for her son’s basement workshop. Matthew was married and a state trooper with the barracks down in the valley; Drenka adored him and, once he became a cop, worried about him all the time. He was not big and handsome with porcupinishblack hair and a deep cleft in his chin like the father whose anglicized name he bore but much more patently Drenka’s offspring, short in stature—only five feet eight and 135 pounds, he’d been the smallest guy in his class at the police academy as well as the youngest—and at the center of his face a bit of a blur, the noseless nose a replica of hers. He had been groomed to one day be proprietor of the inn and had left his father desolated by quitting hotel management school after just a year to become a muscular, crew-cutted trooper with the big hat, the badge, and lots of power, the kid cop whose first assignment running radar with the traffic squad, driving the chase car up and down the main highways, was the greatest job in the world. You meet so many people, every car you stop is different, a different person, different circumstances, a different speed. . . . Drenka repeated to Sabbath everything Matthew Junior told her about life as a trooper, from the day he had entered the academy seven years earlier and the instructors there began to yell at them and he swore to his mother, “I’m not going to let this beat me,” until the day he graduated and, little as he was, they awarded him an excellence pin in physical fitness and told him and the classmates who had survived the twenty-four-week course, “You’re not God but you’re the next closest thing to him.” She described to Sabbath the virtues of Matthew’s fifteen-shot nine-millimeter pistol and how he carried it in his boot or at the back in his belt when he was off duty and how that terrified her. She was constantly afraid that he was going to be killed, especially when he was transferred from the traffic squad to the barracks and had to work the midnight shift every few weeks. Matthew himself came to love cruising in his car as much as he’d loved running radar. “Once you’re gone on your shift, you’re your own boss out there. Once you get into that car, you can do what you want out there. Freedom, Ma. Lots of freedom. Unless something happens, all you do is ride. Alone in the car, cruising, just driving the roads until they call you for something.” He’d grown up in what the state police called the North Patrol. Knew the area, all the roads, the woods, knew the businesses in the towns and found an enormousmanly satisfaction in driving by at night and checking them out, checking out the banks, checking out the bars, watching the people leaving the bars to see how bad off they were. Matthew had a front seat, he told his mother, at