as she was, what person she had been.The teakettle was whistling in the
kitchen, but they wouldn't be drinking any tea. Pete, staring at the coots, leaned forward
with an intent look on his face, and the whistle of the kettle rose in pitch, as if in
desperation. She said, You take it. I want you to take it.He stood straight up and looked at
her, refusal written on his face, but then he relented. His smile came on slowly, and he
kissed her on the forehead. She stepped forward, took the picture, and placed it in his
hands. It wasn't terribly large, though it had always seemed to be. She said, The teakettle
is going to burn up.While she was in the kitchen, Stella entered through the dog door, her
tail wagging, but Margaret went out without greeting her, and closed her in the kitchen.
In the hall, Pete had his hat on, the picture under his arm. She walked him the step or two
to the door and opened it. As he went out onto the porch, he pressed her hand.Thank you,
he said, then again, thank you.She stood on her porch and watched him walk to his car,
get in, and, with a wave, drive away.
PART ONE
1883
FOR A WHILE, they lived in town. She had a particular and vivid memory of
that time: she was running, as it seemed she always did, back and forth from one end of
town to the other. She was fast and gloried in it. She wasn't racing against anyone or
getting into trouble, she was just running and looking at things. She ran fast enough so
that she could feel her heavy blond hair stream out behind her, subside across her back,
stream out again. She passed one house after another.
At the far end of town, there was a pleasant large house where some ladies lived,
though they never talked to her, nor she to them. She remembered how, one day, she
came to a halt in front of this house and one of the ladies, a tall beauty, was standing on
the porch, wearing an elegant white embroidered gown with a snowy eyelet skirt.
Margaret stared at her, and the lady smiled. Margaret thought that she had never seen
anything as beautiful as that dress in her life, which at the time seemed rather long. When
the lady wafted back into the house, Margaret turned and pelted home, where she found
her mother in the back parlor, sewing. As soon as Margaret entered the room, out of
breath, she saw that her mother was sewing a copy of the dress she had seen on the
beautiful lady. She exclaimed, "I saw that! I saw that dress today!" Then she went up and
touched the eyelet. Her mother, Lavinia, didn't reprimand her, but finished the seam she
was sewing, and broke the thread between her teeth. Then she said, "Perhaps you did. But
don't tell your father." It was years before Margaret realized that the pleasant house at the
far end of town was a brothel, and that, from time to time, her mother sewed for the
ladies, to make a little extra money. In Margaret's mind, these dresses were always white.
When she was older, though, and recalled this, Lavinia said that it hadn't happened, it
couldn't have happened; Margaret must have read it in a book.
What
had happened, what Margaret should have remembered, was that her
brother Lawrence, who would have been thirteen then, had left the house with her one
day and taken her to a public hanging. No one had stopped him, because Lavinia was
giving birth--to Elizabeth--and her father, famous all over town as Dr. Mayfield
(Margaret thought of him as "Dr. Mayfield," too, he was that imposing), was attending
the birth. Lily, the housekeeper, was occupied with Beatrice, who was two. It was said
that Lawrence and Margaret left the house and were gone for hours before anyone
noticed. But no one suspected that Lawrence, a studious boy, would have taken her to the
hanging. Ben, yes--Ben was rowdy and adventuresome, though two years younger than
Lawrence. The whole episode was a family legend, and part of the legend was that
Margaret didn't remember a thing about it. "Margaret looks on the bright
R. K. Ryals, Melanie Bruce