starts stuttering, trying and failing to get his words out.
Iâm just getting used to the idea that the holidayâs over before itâs even started when I hear a crackling noise. Itâs the big copperâs radio. He unclips it, listens for a while, then mumbles something in reply. When heâs finished, he looks at us.
âGot to go lads,â he says. âDuty calls.â
I feel a wave of relief splashing over me. But weâve not got away with it yet. The red-haired policeman is having another long hard look at Dylan.
âYou chaps have a good time then,â he says finally. âAnd take care. Thereâs an element amongst the local fraternity who arenât so keen on visitors.â
âYeah,â I say. âI think we found that out.â
The coppers get back in the Focus and pull away.
I let out a big breath. Then we all start laughing.
When weâve got ourselves sorted, we carry on the way we were going. Weâre starting to see more and more people, which I take as a sign that weâre getting nearer to civilization. We take a left and weâre in what looks to be the middle of Whitbourne. Itâs a square with block paving and benches and wooden planters full of flowers gasping for water. Thereâs a big shopping arcade over to one side, with all the usual places. Boots. WH Smith. Costa Coffee. I can see a McDonaldâs down a lane to the right.
Robbie points to a signpost. Directions to the pier and seafront.
âThere you go Dylan,â he says. âYou think your little legs can keep going for a bit longer?â
Dylan says nothing.
We cut through the town centre and the market place then head down a road filled with cafes, ice cream parlours and shops selling seaside stuff. Rock and windbreaks and buckets and spades. Up ahead, the seafront is coming into view. Everyoneâs gone quiet. The excitement is building. I feel like Iâm five years old again. Iâve forgotten all about Kirkie and his mob now.
Another thirty seconds and we can see the pier. Against the backdrop of grey sea and grey sky, itâs fairly rickety-looking. A jumble of wood and concrete and metal, all flaking white paint, peeling roof lead and seagull shit. It looks like one big gust of wind could send it crashing into the English Channel. But then the sun breaks through the clouds and the pier suddenly seems a whole lot more impressive.
Robbie looks at us. He points to the sky.
âHowâs about that for timing?â
Nobody says anything. Weâre too busy grinning again. The temperature seems to have gone up by five degrees in the last couple of seconds and the rays of the sun are bouncing off the surface of the sea. We all put our sunglasses on.
âRight then,â Robbie says. âThe lads are officially on tour. Wonderland here we come.â
two
We go along the seafront, away from the pier, heading out of town. On the left of us, beyond a row of yukka plants, some fancy flowerbeds and the prom, is the beach. Grey, white, yellow and red pebbles slope gently down to the sea. Every hundred metres or so, a heavy wooden groyne stretches out into the waves. The tide is going out, but itâs still quite high. Itâs a good time for swimming, but nobodyâs in the water. Thereâs a few family groups dotted about on the stones and a bloke in big earphones ambling up and down with a metal detector, but not much else.
âNot very busy, is it?â I say.
Robbie pushes his sunglasses up his nose.
âItâs not really the holiday season yet. The schools down here donât break up for weeks. It livens up at the weekends though. Londoners, mainly.â
I look across to the other side of the road at the big old hotels with their fading whitewash, dirty net curtains and dusty windows staring out to sea. The Devonshire. The Heatherdene. The Glenroy. Theyâre impressive buildings, but theyâve seen better days. It
Matthew Woodring Stover; George Lucas