like echoings, responded.
IV
Then I began to think about Urashima again. I thought of the pictures and poems and proverbs recording the influence of the legend upon the imagination of a race. I thought of an Izumo dancing-girl I saw at a banquet acting the part of Urashima, with a little lacquered box whence there issued at the tragical minute a mist of Kydto incense. I thought about the antiquity of the beautiful dance,âand therefore about vanished gener ations of dancing-girls,âand therefore about dust in the abstract; which, again, led me to think of dust in the concrete, as bestirred by the sandals of the kurumaya to whom I was to pay only seventy-five sen. And I wondered how much of it might be old human dust, and whether in the eternal order of things the motion of hearts might be of more consequence than the motion of dust. Then my ancestral morality took alarm; and I tried to persuade myself that a story which had lived for a thousand years, gaining fresher charm with the passing of every century, could only have survived by virtue of some truth in it. But what truth? For the time being I could find no answer to this question.
The heat had become very great; and I cried,â
"O kurumaya! the throat of Selfishness is dry ; water desirable is."
He, still running, answered:â
"The Village of the Long Beach inside ofânot farâa great gush-water is. There pure august water will be given."
I cried again:â
"O kurumaya!âthose liftle birds as-for, why this way always facing?"
He, running still more swiftly, responded:â"
All birds wind-to facing sit."
I laughed first at my own simplicity; then at my forgetfulness,âremembering I had been told the same thing, somewhere or other, when a boy. Perhaps the mystery of Urashima might also have been created by forgetfulness.
I thought again about Urashima. I saw the Daughter of the Dragon King waiting vainly in the palace made beautiful for his welcome,âand the pitiless return of the Cloud, announcing what had happened,âand the loving uncouth sea-creatures, in their garments of great ceremony, trying to comfort her. But in the real story there was nothing of all this; and the pity of the people seemed to be all for Urashima. And I began to discourse with myself thus:â
Is it right to pity Urashima at all? Of course he was bewildered by the gods. But who is not bewildered by the gods? What is life itself but a bewilderment? And Urashima in his bewilderment doubted the purpose of the gods, and opened the box. Then he died without any trouble, and the people built a shrine to him as Urashima Mi Å -jin. Why, then, so much pity?
Things are quite differently managed in the West. After disobeying Western gods, we have still to remain alive and to learn the height and the breadth and the depth of superlative sorrow. We are not allowed to die quite comfortably just at the best possible time: much less are we suffered to become after death small gods in our own right. How can we pity the folly of Urashima after he had lived so long alone with visible gods.
Perhaps the fact that we do may answer the riddle. This pity must be self-pity; wherefore the legend may be the legend of a myriad souls. The thought of it comes just at a particular time of blue light and soft wind,âand always like an old reproach. It has too intimate relation to a season and the Feeling of a season not to be also related to something real in one's life, or in the lives of one's ancestors. But what was that real something? Who was the Daughter of the Dragon King? Where was the island of unending summer? And what was the cloud in the box?
I cannot answer all those questions. I know this only,âwhich is not at all new:â
I have memory of a place and a magical time in which the Sun and the Moon were larger and brighter than now. Whether it was of this life or of some life before I cannot tell. But I know the sky was very much more blue, and